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Rafał Wojaczek: "To się Norwid kłania, widać dobrze przeczytałem jaki jego wiersz"

100%
Jarzyna A.
Colloquia Litteraria
|
2008
|
vol. 3
|
issue 1/2
45-75
2
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Czytanie poety – widzenie poezji. O Wojaczku Lecha Majewskiego

87%
Otto W.
Przestrzenie Teorii
|
2019
|
issue 32
285-300
EN
Otto Wojciech, Czytanie poety – widzenie poezji. O Wojaczku Lecha Majewskiego [Reading a Poet – Seeing Poetry. On Wojaczek by Lech Majewski]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 285–300. ISSN 1644-6763. DOI 10.14746/pt.2019.32.15. The film chronicles the last days in the life of Rafał Wojaczek, who committed suicide at the age of 26. This is the director’s vision that reflects the spirit and character of an artistic genius and his poetic work. Wojaczek is presented against the background of the grey, dirty and bleak communist reality of the late 1960s and early 1970s and therefore becomes a symbol of a rebellious artist, not reconciled with the world and with himself. His colourful character and no less impressive worksshown in the film create the image of an artist whose life led in a straight line and with absolute consistency towards self-destruction. By showing the poet’s rebellion against reality, the director describes the artist’s self-destruction that headed for a tragic end. The is a black and white film with many experimental form treatments.
3
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Wojaczek – Cwietajewa. Przeklęte pokrewieństwo

63%
Wojtyła K.
Iudaica Russica
|
2020
|
issue 2(5)
83-97
RU
В статье описаны ранние неизвестные интертекстуальные отношения и родство между Мариной Цветаевой и Рафалом Воячеком. Автор указывает на аналогии как в биографической, так и в текстовой сферах. Первая из них охватывает экзистенциальные и мировоззренческие проблемы, а также мифотворческие аспекты с упором на факт самоубийственной смерти (обоих авторов). Вторая - тематизацию, организацию поэтического высказывания и формальные приемы. На первом плане стоят фигуры „негра” и „еврея”, а также вопросы касающиеся противоположных категорий: вина и наказание, жизнь и смерть, sacrum и profanum.
EN
The article describes previously unknown intertextual relationships and kinships between Marina Tsvetaeva and Rafał Wojaczek. The author reveals analogies in both the biographical and the textual spheres. The first one contains the existential and ideological problems as well as myth-forming aspects focusing on the fact of suicidal death (of both authors), the second one the thematization, organizing poetic statements and identical formal resolutions. The figures of “the Negro” and “the Jew” come to the fore as well as the issues centered around the anti-aesthetic categories: guilt and punishment, life and death, sacrum and profanum.
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