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EN
The field of cultural management is gaining more and more attention in academic discourse, but as a field of research it still remains mostly unexplored. It can be located somewhere between pedagogy, cultural studies and culture an-thropology. It is based on the process of animation which is distinguished by complex cultural and social contexts. The essence of animation has its source domain in France. It has been triggered by social rebellions and it stems from the idea of emancipation. People have wished to change their cultural embeddings and wanted to overcome their cultural barriers. Therefore, the notion of emancipation is a very important issue while discussing the beginnings of the cultural animation. Nowadays it is quite problematic to determine the scope and range of social animation. The whole process of animation touches almost every aspect of life. Animators of culture serve many important social functions, but apparently there is no agreement on the exact extent of their responsibilities. This short paper attempts to present the essential aspects of theory and practice concerning the notion of social animation and espe-cially the functions of the animators of culture.
PL
W niniejszym artykule autorka prezentuje koncepcje kształcenia animatorów kultury w Polsce i odnosi to do wniosków zaprezentowanych w raporcie „Kultura we współczesnej Polsce”. Celem opracowania jest próba odpowiedzi na pytanie o stan profesjonalizacji zawodowej animatorów. W artykule autorka dokonała przeglądu definicyjnych ujęć zawodu animatora. Zostało to skonfrontowane z koncepcjami kształcenia i kompetencjami nabywanymi przez animatorów w różnych formach kształcenia. Obecnie kształcenie animatorów w większości przypadków odbywa się na uniwersytetach, których mankamentem jest znikome odnoszenie się do praktyki i brak współpracy z otoczeniem zawodowym wykładanego kierunku. Wnioskiem z artykułu jest teza, że nie nastąpiło dotychczas precyzyjne dookreślenie przestrzeni zawodowej animatorów kultury, jak również brak jest umocowania formalno-instytucjonalnego tej specjalności. W opinii autorki jest to głównym aspektem blokującym profesjonalizację zawodową w tej dziedzinie.
EN
In this paper the authoress presents some ideas on education of cultural animators in Poland and compiles them with conclusions presented in the report “Culture in Contemporary Poland”. The aim of this article is to answer the question about the professional position of animators. The authoress reviews definitions of animator and confronts them with different ideas of training in various forms of education. Nowadays, the education of animators most often takes place in universities. But these institutions are not interested, as much, as they should, in the cooperation with the professional environment of animators. The conclusion of this paper is the statement, that we still do not have the precise definition of the professional space of the cultural animators’ job and the institutional emplacement of this specialization. In the opinion of the authoress, this is the main aspect, which blocks the professional development of animators of culture.
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