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EN
Previously the changes in the work couldn’t be observed, from the earliest version of the „Poetics” which is preserved in the Venturi codex - throughout the version that represents the not authorized by Vida Paris edition – up to the two authorized editions of the work published in Rome and Cremona. In the article the examples of the changes made by Vida are demonstrated.
DE
Bisher konnte man nicht die Änderungen im Werk verfolgen, von der ältesten Version der Poetik an, die im Kodex des Venturi erhalten ist – durch die Version, die die von Vida nicht autorisierte Pariser Edition repräsentiert – bis zu den beiden autorisierten, in Rom und Kremona herausgegebenen, Editionen des Werkes. Im Aufsatz werden die Beispiele der von Vida vorgenommenen Änderungen gezeit.
EN
The authors approach the topic of editing and publishing primary legal-historical sources from the perspective of Croatian legal history as an academic discipline. Based on the earlier texts by Jakov Stipišić and Ivan Filipović, the first part of the text discusses several possible approaches towards the editing and publishing of documents, showing that critical intellectual activity is required already when the initial scope and mode of selecting and preparing the sources is decided upon. As a consequence, editing and publishing priorities are more or less directly connected to the particular interests and general methodological presumptions shared by the archivists, librarians and (legal) historians of a given society. The second part of the text – based on the works of Stjepan Antoljak, Zrinka Nikolić-Jakus, Mladen Ančić and personal insight – is thus dedicated to the most significant or illustrative (either in a positive or a negative way) source-editing and publishing projects on what is today the territory of the Republic of Croatia, in as much as some of them were influenced not only by strictly scientific, but also by political or ideological reasons. Pre-modern as well as modern and recent legal acts and other historical sources, including those typical of popular oral culture, are taken into account here. Finally, the authors reflect on the possible future of great editing projects, fearing that digitalization is only an incomplete answer to the precarious status of humanities and (historic) social sciences.
EN
Source editions are a basic tool for the scientific activity. They are time-consuming and need a huge workload. They testify also skills of an editor. Since more than 30 years scholars have been using the digital technology for editing. Since 20 years an e-editing has existed as the established branch of science. Preparing a set of uniform and precise instructions for the critical apparatus in e-editions remains still a main problem. Among many programmes Text Encoding Initiative (TEI) is the most comprehensive tool for preparing of editions. This paper presents some problems related to creating of critical apparatus under TEI.
PL
Edycje źródeł stanowią podstawowe narzędzie pracy. Ich przygotowywanie jest zawsze żmudnym procesem, a zarazem próbą dla wydawców. Ponad 30 lat temu humaniści zaczęli korzystać z techniki cyfrowej podczas tworzenia edycji. Od 20 lat można mówić o e-edytorstwie jako odrębnej dziedzinie badawczej. Nadal głównym problemem pozostaje opracowanie jednolitych zasad, które umożliwiają jak najpełniejsze zbudowanie aparatu krytycznego. Wśród wielu propozycji na szczególną uwagę zasługuje Text Encoding Initiative (TEI), który jest szeroko stosowany do tworzenia rozmaitych edycji. W artykule przedstawiono niektóre problemy związane z budowaniem aparatu krytycznego przy pomocy TEI.
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