Search results - CEJSH

1

Zwi(ch)nięte koło radykalnohermeneutyczne

100%

Szaj P.

Przestrzenie Teorii

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2018

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issue 30

231-245

EN

The article is an interpretation of the traditional figure of the hermeneutic circle made from the perspective of John D. Caputo’s radical hermeneutics. It begins with a recapitulation of the most important modern positions on the hermeneutic circle, which postmodern hermeneutics radicalizes, noting the impossibility of its closure or fulfillment. Movement in the postmodern hermeneutic circle takes place not between the parts and the whole, but only between the different parts. Thus, one might say that this circle is twisted, and this has a dual meaning. It evokes Jacques Derrida’s interpretation of a phrase from Hamlet, “time is out of joint”, but it also plays with the meaning of the twist, which can be understood as a Verwindung: the impossibility of the transgression beyond modern hermeneutics.

2

Tělesnost a metafyzika : Dekonstrukce mezi dobrou a špatnou dialektikou

93%

Trnka J.

Filosofický časopis (Philosophical Journal)

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2010

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vol. 58

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issue 1

56-64

EN

The article investigates Merleau-Ponty’s late thought from the position of Derrida’s deconstruction, focusing on the possibility of thinking otherness in the framework of embodiment. We examine the thought movements in The Visible and the Invisible which open up such possibilities, as well as those which close them down. The basis for this investigation is a comparison of Derrida and Merleau-Ponty in relation to the thinking of Husserl, de Saussure, and Hegel. We demonstrate, above all, how Derrida’s deconstruction occupies a middle position between Merleau-Ponty and Hegel. In conclusion we outline an ambivalence which is to be found throughout Merleau-Ponty’s final work.

3

Wyjątki z domu Ludwisi

93%

Rączka-Jeziorska T.

Postscriptum Polonistyczne

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2010

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issue 2(6)

185-195

EN

The author reads Adam Mickiewicz’s [Urywek Pamiętnika Polki] in the context of symbolic space of a house “from the basement to the attic” suggested by Gaston Bachelard. Fe-nomenological doubts of French critic provoke questions concerning “beloved space” and “shelter” in Mickiewicz’s text. Deconstrucion that leads to accepting Ludwisia’s perspective reveals vertical dimension of the house and enables to designate places for figures living there. The most important belongs to a modest servant girl.

4

Intertekstualna „encyklopedia” Wiktora Jerofiejewa jako refleksja nad istotą rosyjskości

93%

Biegluk-Leś W.

Białostockie Studia Literaturoznawcze

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2015

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vol. 7

EN

In his "Encyklopedia duszy rosyjskiej" Wiktor Jerofiejew performs a brutal vivisection of his nation’s cultural memory. The key concepts of history, power, nation, and fatherland gain a new erudite interpretation. Consistent in uncovering totalitarian discourse, Jerofiejew demythologizes opinions and prejudices, deconstructs ideas, concepts and attitudes. While bringing to life the portrait of Russian mentality and their national character, he proposes hierarchy but never accepts taboos. Consequently, "Encyklopedia" does not appeal to popular tastes. It is a multifaceted “miniature gallery”, a bitter diagnosis of the essence of Russianness and the condition of Russian culture.

5

The Study of Early Modern Literature (and Insects). A Comment to the Polemics

93%

Hanusiewicz-Lavallee M.

Roczniki Humanistyczne

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2018

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vol. 66

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issue 1: Literatura polska - Selected Papers in English

127-131

EN

The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 59 (2011), issue 1. The article is the editor-in-chief’s comment to the discussion between Agnieszka Czechowicz and Paweł Bohuszewicz as presented in the current issue of the journal. The author defends philological methods in studying early modern literary texts and expresses her scepticism concerning any methods questioning and negating the fundamental epistemological difference between what is being studied and a researcher himself.

6

Kategorie czasu i formy muzycznej w II Koncercie na wiolonczelę i orkiestrę symfoniczną Pawła Mykietyna

93%

Kaszubska N.

Kwartalnik Młodych Muzykologów UJ

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2022

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issue 3(54)

19-41

EN

The paper supplements the research on the latest Paweł Mykietyn's work. It broadens the spectrum of problems related to the technique of deconstruction in his works and allows for a better understanding of the structure of the Concerto No. 2 for cello and symphony orchestra. The main research method is descriptive analysis, bringing Paweł Mykietyn's musical language closer to the harmonic material, textural systems, agogic-metric structures, and the concept of form. The analysis is based on the score of the 2nd Concerto for Cello and Symphony Orchestra, published in 2019 by the PWM Edition in Kraków. The structure of the paper includes: introduction, three paragraphs and a summary. The characteristics of Paweł Mykietyn’s work contained in the introduction will allow the reader to become familiar with stylistic tendencies at various stages of the composer's work. The section devoted to the genesis and reception aims to present the history of the creation of the analysed work, as well as its contexts and resonance. The analytical sketch in the context of the issues of time and form will allow to present selected aspects of the compositional technique.

7

What Cannot Be Deconstructed? Truth

93%

Kozak P.

Studia Philosophiae Christianae

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2022

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vol. 58

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issue 2

129-136

EN

In this paper, I discuss the interpretation of the method of deconstruction in David J. Gunkel’s Deconstruction (MIT Press 2021). I focus on the relationship between deconstruction and truth. I hold that the concept of truth is indispensable for deconstruction since truth introduces correctness conditions for the deconstructive method. However, I claim that truth, being essential and primitive for deconstruction, is fundamentally inaccessible for being analyzed by the latter.

8

O pojęciu „muzycznego postmodernizmu”

93%

Krajewski M.

Aspekty Muzyki

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2017

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vol. 7

15-32

EN

The usual way of characterising the notion of “musical postmodernism” is set out by the following claims: (1) a postmodern musical work corresponds to the postmodern worldview; the notion in question is closely connected with the etymology of its name (“postmodern” means, in any case, “of an era after a modern one”); (3) the characterisation of the postmodern worldview (and, thus, of a postmodern piece of music) ought to conform to the beliefs of the classics of the postmodern thought; (4) the postmodern repertoire includes mainly the works created after about 1970; (5) the most important features of these compositions are euphony, aleatoric indetermination, polistylistics, and repetitiveness. The notion governed by the claims (1) – (5) is highly unclear and provides little help for understanding musical phenomena. In order to make it more precise, the basis of its definition should be modified and the three following claims accepted: (A) a postmodern musical work is a musical representation of the postmodern worldview; (B) the existing musical repertoire contains some postmodern works; (C) a correct definition of musical postmodernism should enable to qualify at least some of the given composi-tions as postmodern or not. The conditions (A ) – (C) and the analysis of the postmodern worldview seem to suggest that a postmodern musical work is such of a precariously integrated structure. A postmodern work represents the undermining (“deconstruction”) of the crucial idea of the com-posing practice: the piece of music arises from the integration of sounds, not of a simple aggregation of them. The musical “deconstruction” can emerge when some of the important portions a work or certain aspects of it exhibit larger degree of integration than the work as a whole. It seems that some compositions by Ives and the final movement of Chopin’s Sonata in B minor Op. 35 are postmodern in the sense pointed above.

9

Nieradosne gry kulturowej dekonstrukcji. Tlen Iwana Wyrypajewa

93%

Biegluk-Leś W.

Białostockie Studia Literaturoznawcze

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2014

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vol. 5

EN

"Tlen" [Oxygen] by Ivan Vyrypaev is a multi-plane text with a successful marriage of universality and topicality and local colors. The thematic layer of the text is made by both the image of the modern world disturbed by conflicts as well as the image of the post-Soviet Russia. The provocative deconstruction of the biblical rhetoric exposes an axiological chaos and epistemological loss of the human, and the incessant reinterpretation of notions and judgments becomes a gesture of description and cognition of the world.

10

PSYCHOANALYTIC INTERPRETATION OF THE EDIFICE OF JEWISH MUSEUM IN BERLIN. THE REAL, THE SYMBOLIC AND THE IMAGINARY IN THE URBAN SPACE

93%

Moćko W.

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2012

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vol. 11

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issue 3

EN

The aim of the article is the psychoanalytical interpretation of Jewish Museum building in Berlin - the example of deconstractivism in architecture, as well the urban space of Berlin and the history of Germany and the Berlin Jews as manifested in the space of the city. Starting with the notion of anamorphosis, the works by Jacąues Derrida and Peter Eisenman and using Daniel Liebenskind's building of the Jewish Museum as an example, the author of the article shows the connection between deconstructivism and the urban space of Berlin. The em-phasizes the importance of empty spaces, or spaces devoid of something, for both the city space of Berlin, and the Museum's architecture, where the empty space is the space devoid of the Berlin absentees - the Jews. The description refers to formal features of deconstructivist architecture and the features of the museum building while the interpretation is rooted in Lacanian psychoanalysis and his three orders: the Real, the Symbolic and the Imaginary, as well as in his concept of the mirror stage in the development of the human psyche.

11

Luther’s ‘Metaphysics’ in Heidegger’s Beiträge

82%

Armitage D.

Theological Research. A Journal of Systematic Theology

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2017

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vol. 5

EN

This essay argues that Luther’s “metaphysics” is present in Heidegger’s Beiträge zur Philosophie (Contributions to Philosophy), a text many consider to be Heidegger’s second magnum opus. I argue that Luther’s “metaphysics” is present in Heidegger’s Contributions in primarily two ways: (1) there is a Lutheran structure (of existential categories) that Heidegger appropriated not only in Being and Time, but also much earlier in his lectures on St. Paul from the 1920s, of responding to a call and converting in anxious anticipation toward a futural not-yet (what Heidegger calls “the last god”); and (2) Contributions’ project concerns overcoming metaphysics, which involves first thinking through to metaphysics’ conditions for possibility, which means recognizing the “ironic nature” of beyng via what Heidegger calls “thinking concealment,” the logic of which originates in Luther’s attacks on not only Greek metaphysics, but upon Judaism and the Mosaic law as well.

12

Postmodernistyczne metamorfozy baśni w Polsce

82%

Szymborska K.

Śląskie Studia Polonistyczne

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2018

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vol. 11

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issue 1

247-261

EN

The author provides reflections upon the influence of postmodern literary tendencies on a fable. Contemporary metamorphoses of a fable are characterised by an attempt at deconstructing the genre, connected with various strategies of intertextual play with literary tradition (autoreflection, metaliterature, metatextuality, intertextuality, astiche, collage, parody etc.). This process is demonstrated on the example of the chosen postmodern fables written by Grzegorz Kasdepke, Marta Guśniowska, Agnieszka Suchowierska.

13

Nowy, zremiksowany świat [rec. David J. Gunkel: Of Remixology. Ethics and Aesthetics After Remix. Cambridge: MIT Press, 2016, ss. 240.]

82%

Marcela M.

Śląskie Studia Polonistyczne

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2018

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vol. 11

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issue 1

203-210

EN

According to many researchers and theoreticians mentioned by Davis J. Gunkel we live today in digital culture of “mash-up”, which is at the same time configurable convergence culture. Therefore in the contemporary world the concept of remix enjoys such great popularity. It is in sampling and remixing that “the cultural logic of networked global capitalism” should be sought. However, the mentioned terms occur mainly in the disputes over copyright laws and freedom of the access to culture. For Gunkel this aspect is not a key one. In Of Remixology he suggests a departure from the current way of thinking about remix in terms of an original and a copy, innovation and derivation, authorship and plagiarism. Instead, Gunkel proposes the third way of thinking, where his companions become such theoreticians as Jacques Derrida, Roland Barthes, Jean Baudrillard and Slavoj Žižek.

14

Re-Framing the Abyss: The Visual Writing of Jacques Derrida in The Truth in Painting

81%

Stampoulou I.

Dialogue and Universalism

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2017

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issue 3

97-113

EN

In this paper I intend to discuss some notions encountered in Jacques Derrida’s The Truth in Painting (1978) immediately linked to the manner in which the art object2 is understood and addressed, its limits, what it does/does not include/exclude, what it touches upon—if we can use such formalist terms in a deconstructive framework. These notions have perhaps formed in the past decades the art object, even though there is no frequent reference of Derridean deconstruction in texts regarding art.3 The ones I will mostly refer to are the parergon, the frame and the abyss. I intend to support that Derrida has not just doubted the limits between ergon and parergon but has also illustrated in an almost painterly manner the abyss and the parergon, thus reframing fields of aesthetics, philosophically and visually.

15

“The Figure in the Carpet” as Theoretical Tool

81%

Kaplický M.

Eidos. A Journal for Philosophy of Culture

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2019

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vol. 3

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issue 4(10)

21-31

EN

This study is based on the assumption that literary interpretations are explicitly or implicitly influenced by some philosophical system as a general system of thought. In this way, different literary interpretations often hide more general philosophical ideas. Nevertheless, this study tries to show that the interpretation of the given work of art need not be conceived only as application of the general philosophical approach; interpretation of the work of art, as argued in this essay, can in significant ways also show the philosophical approach itself. The subject of this study is the case of Henry James’s short story “The Figure in the Carpet.” This essay includes an analysis of how Tzvetan Todorov, Joseph Hillis Miller, Wolfgang Iser and of Pascale Casanova interpret the story and how they use its dominant image of a “figure in the carpet” for illustration of their own theoretical and philosophical approach.

16

A matemática e a desconstrução: segundo Derrida

81%

Borges de Meneses R. D.

Prosopon. Europejskie Studia Społeczno-Humanistyczne

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2017

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issue 4(21)

5-29

EN

The deconstruction is present in the field of Mathematics, from Arithmetic to Geometry. Naturally arises as a method and as a foundation. The deconstruction; affects the whole Mathematics as science of abstract quantity. One of the fundamentals of formal mathematics can reside in deconstruction.

17

“Cleverly Devised, Postmodern Toy”: Paweł Mykietyn’s Music in the Category of Postmodernism and Constructivism on the Example of III Symphony for Alto and Orchestra1

81%

Daniec Z.

Kwartalnik Młodych Muzykologów UJ

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2018

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issue 4(39) Eng

59-85

EN

Works of Paweł Mykietyn belong to the most characteristic trends of Polish contemporary music. His compositional attitude was individualised in the first decade of the 21st century, and today he is recognised as one of the most original Polish composers of the 20th and 21st centuries. Andrzej Chłopecki, when characterising Mykietyn’s music after the premiere of the composer’s II Symphony, compared this work to a “cleverly devised, postmodern toy”. Also Mykietyn’s next, III Symphony (2011), can be considered in the context of the categories of postmodernism and constructivism. This work manifests the postmodern attitude, but it is also marked by strict, “cleverly devised”, constructivist thinking. Its musical language contains intertextual references to hip-hop and rap music; on the other hand, it includes such typical for Mykietyn measures as “(de)gradation form”, “accelerando form”, “permanent accelerando” and dodecaphony, which can be found while analysing the work. III Symphony can be also interpreted in relation to techniques of deconstruction, including both concept and structure of the composition.

18

Ironia jako dekonstrukcja umierania w Listach Witolda Wirpszy

81%

Wojda D.

Przestrzenie Teorii

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2021

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issue 35

43-82

EN

This paper focuses on Witold Wirpsza’s Letters from the volume Second Resistance. Poems 1960–1964 (1965) and shows how irony becomes a deconstruction of dying, and at the same time of itself and of literary communication in general. The persiflage-oriented ars moriendi turns out to be a diagnosis directed against the discourses of thanatology, operating in institutions of power, medicine or religion (public letters) and family (private letters). Wirpsza designed it as a play of signs and communication noise in which meanings embedded in surface and deeper semantic levels intersect and contradict each other. This is accomplished by writing about death through epistolary, postal, philatelic tropes, concerning message, mediation and transmission. What are particularly important are the metaliterary parts, parabases intensifying the irony, which contain the vision of a postage stamp robbery as reality transformed into signs. The interpretation of the Letters reveals that the deconstructive irony makes epistolary poetry a literary event – the letter, writing that is to be stolen, killed, read by the reader in her or his own way.

19

A dinâmica relativista e a desconstrução

81%

Borges Meneses R. D.

Prosopon. Europejskie Studia Społeczno-Humanistyczne

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2016

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issue 3(16)

9-21

EN

Energy and mass are generally interpreted as different properties of matter, for instance: the energy of a particle is generally interpreted as a measure of its capacity to do work. The law of the equivalence of mass and energy does not imply that mass is sometimes converted into energy or vice versa, but states that the changes in one are accompanied by corresponding changes in the other, inertial mass and energy being proportional to each other: E = m . c2. The law of conservation of mass is, therefore, equivalent to the law of conservation of energy and they are sometimes combined together and called the law of conservation of mass- energy. The proportionality between the relativistic mass and energy leads to the fact that the statement on the conservation of the total relativistic mass of particles is the statement on the conservation of the total energy using the relation between the relativistic mass and energy. Accordingly we can analyse the philosophical reasons of the relativistic dynamic. But this examination implicates a review on the causality principle, because we aspire to the new philosophical contained for the relativistic arguments. Meanwhile, the Relativistic Dynamics is also affected by the deconstruction.

20

“FAMILY – POLITICS – GLOBALIZATION” FAMILY INTIMACY

81%

García Jiménez M. E.

Forum Teologiczne

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2022

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vol. 23

105-113

PL

Intymność jest kluczowym składnikiem więzi relacyjnych, kojarzonych nie tylko z pożyciem seksualnym, ale z każdym sposobem wyrażenia siebie przez członka rodziny. Jak to się dzieje? Jakie są istniejące podejścia do kwestii rodzinnych, aby ocenić intymność? Jak rozumiana jest intymność i jak można ją szeroko rozumieć? Intymność nie jest statyczna: zmienia się w czasie i jest inna w całym cyklu życia rodziny, a także na różnych etapach każdego z członków rodziny. Dlaczego intymność jest istotna? Intymność jest wartością, a jej natura wykracza poza to, czego często się oczekuje: konstruuje lub dekonstruuje rodzinę. Ponieważ jest głęboko związana z uczuciami, myślami, przekonaniami, tradycjami, kulturą, praca z intymnością u każdego członka może prowadzić do wytworzenia czegoś w rodzaju zbroi w kontaktach rodzinnych. Konstrukcja każdej osoby jako jednostki ludzkiej nie powstaje tak po prostu; wymaga czasu, technik, miłości, szacunku i intymności, co bezpośrednio prowadzi do wierności sobie. Z kolei wierność własna u każdego członka rodziny może wytworzyć tzw. herb rodzinny. Podczas gdy zerwana intymność może zniszczyć poczucie własnej wartości osoby, a co za tym idzie, znaczące, długotrwałe relacje, intymność poszycia pancerza może rozwinąć głęboko wzbogacone jednostki ludzkie, które wnoszą to, kim są i co mają, aby ostatecznie utkać silne społeczeństwo. W rezultacie społeczeństwo, które chroni i sprzyja intymności, nie tylko zwraca uwagę na to, jakie szkody istnieją i którym należy zapobiegać, ale także na to, co sprawia, że ludzie żyją w hojnej darowiźnie. Intymność pozwala osobie poznać swoją wartość; intymność jest najsilniejszą wartością i techniką oceny tego, kim jesteśmy, czego potrzebujemy, czego chcemy.

EN

Intimacy is a key component of relational bonds, associated not only with sex but with every aspect of what each member of a family expresses in the way he or she can do so. How does it take place? What are the existing approaches towards the family to weigh intimacy? How is intimacy construed, and how can it be widely understood? Intimacy is not static: it changes over time and is different throughout the family life cycle, as well as through the various stages of each of the family members. Why is intimacy relevant? Intimacy is a value, and its nature goes beyond what is often expected: it constructs or deconstructs the family. Because it is deeply connected to feelings, thoughts, beliefs, traditions, and culture, working with intimacy in each member may lead to the armor-plating of the family. Now, the construction of each person as a human individual does not just happen; it requires time, techniques, love, respect, and intimacy, which directly leads to self--fidelity. In turn, self-fidelity in each member of the family can produce what is known as a family coat of arms. While broken intimacy can destroy a person’s self-esteem and, consequently, meaningful, long-lasting relationships, armor-plating intimacy can develop deeply enriched human individuals who bring who they are and what they possess to ultimately weave a strong society. As a result, a society that protects and fosters intimacy not only pays attention to what damages exist and should be prevented but to what makes people live in generous self-donation. Intimacy lets a person know his/her value; therefore, intimacy is the strongest value and technique to assess what we are, what we need, and what we want.

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