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Dublin na (tekstualnej) scenie. O dramatyzacji przestrzeni w Ulissesie Jamesa Joyce’a

100%
Kozłowski P.
Przestrzenie Teorii
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2020
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issue 34
165-190
EN
The author investigates how James Joyce stylizes the space in his novel Ulysses for drama. For this purpose he carries out a comparative analysis of some episodes in this book. This analysis leads to the conclusion that Joyce transposes some dramatic genres and specifically dramatic writing techniques, especially associated with August Strindberg. Kozłowski emphasizes the dramatic character of some motifs that create spatial conditions in Joyce’s novel. Furthermore, he compares these motifs with the literary works of the greatest modern dramatists.
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Didaskalia w „Przekładach” Briana Friela

70%
Looby R., Katolicki Uniwersytet Lubelski Jana Pawła II K. F. C., Robert Looby jest profesorem w Katedrze Filologii Celtyckiej na Katolickim Uniwersytecie Lubelskim. Specjalizuje się zarówno w literaturze irlandzkiej j. i. p. J. a. u. s. w. n. p. T. D., robjam@kul.lublin.pl
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2014
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vol. 24
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issue 2
EN
Often regarded as purely utilitarian messages with no artistic value in themselves, stage directions are a neglected aspect of theatre studies. This paper seeks to answer the questions “Who speaks in stage directions? How? To whom?”. Looby examines the nature of the speaker, the addressee and their relationship by examining the evolution of stage directions through Shaw, O’Casey and Beckett. However, the paper concentrates primarily on stage directions in Brian Friel’s Translations, arguing that they have an artistic form and function related to the theme of the play and going beyond mere technical instructions to the production crew.
3
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Teorie dramatu v přednáškách z estetiky Antona Müllera. Nástin obsahu

51%
Hlobil T.
Česká literatura (Czech Literature)
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2014
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vol. 62
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issue 3
341-371
EN
For the first time ever, this study presents Anton Müller´s drama theory, which made up a principal part of his lectures in the academic year of 1830/31. It outlines the core of Müller´s theory by bringing together standpoints that are dispersed throughout the lecture series, as recorded in the handwritten notes taken down by Karl Holzinger. This approach aim to establish a suitable foundation for launching a comprehensive and systematic examination of Müller´s aesthetics, facilitating a deeper understanding of his position in pre-1848 Bohemian culture.
CS
Studie představuje poprvé teorii dramatu Antona Müllera, která tvoří stěžejní část jeho přednášek z estetiky držených na pražské univerzitě ve studijním roce 1830/31. Jádro Müllerovy teorie nastíní scelením stanovisek rozptýlených na různých místech přednáškového cyklu, jak ho zachytil rukopisný zápis pořízený Karlem Holzingerem. Cílem zvoleného postupu je vytvořit vhodné východisko k zahájení všestranného a důkladného zkoumání Müllerovy estetiky, umožňující hlubší porozumění jeho postavení v české kultuře doby předbřeznové.
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