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EN
The paper aims to consider the phenomenon of the cliffhanger as one of the narrative techniques for ending a work of art. A cliffhanger involves creating intrigue or intense anticipation of the outcome both in the final part and in individual episodes of the work. In literary texts, the cliffhanger is presented as a meta-narrative phenomenon, as the writer offers a multi-vector development of the plot line involving complex situations and conflicts, the causes and solutions of which are often hidden or unclear. Such plot modeling leads to in uncertainty, a sense of mystery and an emotional climax. It is the reader who must build a hypothetical relationship between the events and characters described, determining their place and role in the development of the topic, based on textual data, their own reading experience, associations and perceptual abilities. Thus, a cliffhanger is an integral part of building and resolving artistic conflicts. In the novel The Secret of the Yellow Room, it is represented by the actual linguistic and stylistic parameters and extralinguistic characteristics that stimulate the perceptual activity of the reader.
PL
Artykuł porusza zagadnienie ekspansji męskożywotnej końcówki -a w bierniku liczby pojedynczej w grupie rzeczowników nieżywotnych. Część tego typu form jest zgodna z normą wzorcową, np.: forda, pokera, golfa, borowika, inne natomiast występują wyłącznie w języku potocznym, np.: zęba, paznokcia, gwoździa. Niekiedy trudno jest rozstrzygnąć, która forma jest prawidłowa, np.: zamówić kotlet czy zamówić kotleta. Artykuł przynosi ponadto propozycje rozwiązań glottodydaktycznych oraz przedstawia dylematy dotyczące wskazanych kwestii.
EN
The paper discusses the issue of the expansion of the masculine animate ending – a onto the group of inanimate nouns. Some of such forms are in agreement with the paradigmatic norm, others, on the other hand, appear only in colloquial language. It is at times difficult to establish which form is the correct one. The paper also puts forth proposals of methods of their teaching and presents some dilemmas concerning the abovementioned questions.
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