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EN
This paper focuses on Witold Wirpsza’s Letters from the volume Second Resistance. Poems 1960–1964 (1965) and shows how irony becomes a deconstruction of dying, and at the same time of itself and of literary communication in general. The persiflage-oriented ars moriendi turns out to be a diagnosis directed against the discourses of thanatology, operating in institutions of power, medicine or religion (public letters) and family (private letters). Wirpsza designed it as a play of signs and communication noise in which meanings embedded in surface and deeper semantic levels intersect and contradict each other. This is accomplished by writing about death through epistolary, postal, philatelic tropes, concerning message, mediation and transmission. What are particularly important are the metaliterary parts, parabases intensifying the irony, which contain the vision of a postage  stamp robbery as reality transformed into signs. The interpretation of the Letters reveals that the deconstructive irony makes epistolary poetry a literary event – the letter, writing that is to be stolen, killed, read by the reader in her or his own way.
EN
The article deals with Adam Ziemianin’s epistolary poetry (bringing both the subject of letters and imitating their formal qualities), which is discussed as a collection of literary events. Such an interpretation draws attention to the performativity of this writing, that is, its causative function, which results in the actualization of the text through the reader’s personal experience. Therefore, the interpretation here takes into account not only Ziemianin’s poems, but also their popularity as songs performed by the group Stare Dobre Małżeństwo. The most important conclusion presented in this paper focuses on the paradoxes of epistolary poetry: the evocation of both presence and absence, synchrony and asynchrony, combining private with public, as well as merging the literary dimension with real existence. Most of these paradoxes are motivated by the desire to rescue love and overcome death, as indicated by the symbolism of the letter and the well – serving as life-giving mediators.
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