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Zasada reprezentacji w nowej i ponowoczesnej polityce. Zagadnienia do dyskusji

100%

Szymanek J.

Wrocławskie Studia Politologiczne

2014

vol. 17

11 - 35

The text takes on the theme of political representation. This theme is very popular and trendy. This is because now almost everyone is talking about the crisis of political representation. This crisis affects both election procedures and parliamentary mandate, role and importance of political parties and the devaluation of the political position of the parliament. Actually, all the elements of a traditional relationship suffer some prejudice representative. Elections do not give a full picture of the representation. Political parties, in turn, resulted in that it is not the individual members are representatives of the voters only just parties. This distorted representation. The parliament has lost many of the items that he was still in the nineteenth century. What’s more, evolves new phenomena, such as the growing importance of direct democracy instruments, which is seen as a form of supplement representative democracy. Furthermore, the phenomenon is called. counter-democracy or negative growth in the importance of participation, disclosed in strikes, pickets and other forms of protest. All this makes the representation of political change. Changes are subject to the importance of representation. Previously it had its sociological dimension, today, in turn, seen as a deliberation by which the common good is achieved.

Sposoby ukazywania obozów nazistowskich w sztuce zwanej naiwną

80%

Grzybowska K.

Przestrzenie Teorii

2015

issue 23

The paper presents the realizations of the theme of concentration camps in folk art, i.e. the sculptures made by Władysław Chajec, Zygmunt Skrętowicz, Franciszek Skocz, and Jan Staszak. Chajec and Staszak tried to present the most drastic moments in the history of the Nazi death factories. These sculptors drew inspiration from the popular iconography of the Holocaust, i.e. pictures showing the liberation of the camps. Skocz carved a cycle of figures that represent members of the SS and prisoners who are doing labor and who are being subjected to punishment, whereas Staszak decided to create his works by using wood from the trees growing on the borders of the Auschwitz-Birkenau camp, thus treating these plants as witnesses of suffering. This article presents the aforementioned works against the background of the crisis of representation, which permeates culture after the Holocaust.

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1 Przestrzenie Teorii

1 Wrocławskie Studia Politologiczne

1 Grzybowska K.

1 Szymanek J.

1 2015

1 2014

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Zasada reprezentacji w nowej i ponowoczesnej polityce. Zagadnienia do dyskusji

Sposoby ukazywania obozów nazistowskich w sztuce zwanej naiwną