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Od kulturowego pojmowania przestrzeni ku rozważaniom o wieczności. Dyskurs przestrzenny w powieści Brisbane Jewgienija Wodołazkina

100%
Sidor M.
Studia Rossica Posnaniensia
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2021
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vol. 46
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issue 2
79-91
EN
This article deals with different aspects of space in the text of Eugene Vodolazkin’s novel Brisbane as well as in its studies and reception. Successive parts of the research are devoted to lieux de mémoire in autobiographical fiction, cultural understanding of the space of the home and places which traditionally create the image of Kiev and the individual mythology of this city. Space perceived in the way modified by culture is a certain frame in which both the hero of Vodolazkin lives and a receiver reads the novel. It is also an important component of the work’s internal structure, the factor responsible for certain genre associations that determine the direction of the reading process. In all these forms of functioning, space is thematically related to the reflection on death. The author concludes that the understanding of space leads to the rejection of the physical future and the affirmation of eternity understood in a religious way, in line with medieval tradition.
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Chrześcijańska interpretacja kilku antycznych gemm

72%
Ryś A.
Vox Patrum
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2016
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vol. 65
585-603
EN
The article presents the Christian interpretation of four ancient gems from the collection of Cabinet des médailles (department of French National Library). Next to the role of the objects in medieval tradition the history of the gems is presented. An attempt at explaining the reasons of using the gems in Christian cult is made.
3

(‘Harmonia lyrica’ w potrydenckiej twórczości polskich poetów metafizycznych – problem trwałości tradycji i nowatorstwa

58%
Fischer J.
Symbolae Philologorum Posnaniensium Graecae et Latinae
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2011
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vol. 21
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issue 1
59-80
EN
This article concentrates on question, which was the essence of the Old Polish poetry, in the beginning of the seventeenth century. Especially: what was the source of this poetry and which were the relations between this new model of poetry and literary tradition. Very interesting are also the connections between rhyming and rhythmic schemes, used by Grabowiecki, Grochowski and Twardowski, and music. The main attitude of this group of Polish metaphisical poets was to attain musical effects in poetry – real lyric harmony (harmonia lyrica). they created new poetry: very innovative, but as well grounding in tradition.
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