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EN
Hastagging, similarly to tagging, has become an inseparable part of online communication and users’ motivation for employing hashtags—especially on the platform of their origin, i.e. Twitter—has attracted the attention of scholars from various fields, including linguistics. In reference to previous studies, this paper aims to expand existing knowledge regarding the role and functions of hashtags by examining Instagram posts, which are, in contrast to tweets, predominantly visual and remain an insufficiently researched area. The analytical data consisting of posts uploaded by three Instafamous personalities, also known as Instagirls, were scanned for the presence of hashtags to determine their frequency and their characteristic traits. The qualitative analysis of posts shows that on Instagram, hashtags are employed to fulfil one of two opposing goals: 1. to serve as a tool for aggregating posts of similar content; 2. to serve as a resource for creative self-expression. Furthermore, since hashtags are often designated as a means of promoting one’s visibility, their role as a self-presentation strategy in the construction of micro-celebrity on Instagram is also discussed.
EN
This paper examines discursive means of the construction of hegemonic and inclusive masculinities in American and Czech YouTube vlogs. The vlog is a relatively young new media genre, which has developed primarily in the context of YouTube (the second most visited website and the second highest ranking social media platform in the world) and is a curious object of study as a platform of identity construction. The two types of masculine identities are analyzed in terms of two-level indexicality realized by means of positioning of self and others in the context of YouTube vlogs. The author outlines the most salient strategies of performing the two types of masculinities and shows how differently they are employed by young male Americans and Czechs. The extent and means of constructing these gender identities by Czech and American YouTubers diverge: both masculinities were constructed more prominently in American vlogs, whereas Czech YouTubers exhibited more neutral patterns. Moreover, American vloggers proved to resort to inclusive masculinity considerably more frequently that their Czech counterparts and tended to co-construct the two masculinities in such a way that they appear blended (for instance, by clustering affectionate homosociality with address terms indexical of cool solidarity). In Czech YouTube vlogs, on the other hand, the instances of inclusive masculinity were significantly less abundant and more isolated, which is in line with a less intensive construction of masculine identity in Czech vlogs overall.
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