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Tatuaz po pijanemu: mumblecore

100%
Pitrus A.
Kwartalnik Filmowy
|
2011
|
issue 75-76
191-198
EN
In contemporary cinema one rarely has to deal with groups. Sometimes they are “formed” or “defined” by film critics, who identify similarities in the work of various artists. The case of the “new realists” discussed in this article is different. It is undoubtedly a group. Moreover it works under an already recognized label: mumblecore. The name was invented by Eric Masunaga – a sound engineer, working together with Andrew Bujalski – one of the most important representatives of the movement. The article analyses the work of the youngest generation of independent American filmmakers by referring to the work of their guru – John Cassavetes. It also shows the unique and original nature of the group’s achievements.
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ОБРАЗ ДЕРЕВНИ В СОВРЕМЕННОЙ РУССКОЙ ПРОЗЕ - ПРАВДА ИЛИ ФАЛЬШЬ? ЗАХАР ПРИЛЕПИН И ИРИНА МАМАЕВА

100%
Zielińska M. I.
Conversatoria Litteraria
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2016
|
vol. 10
|
issue -
223-233
RU
In her article, the author states that the topic of countryside in Russian lit-erature has been addressed for a long period of time and this is continued on a contemporary basis, as exemplified by literary works of new realist, including Zakhar Prilepin (Sankhja, short stories from the collection Eight) and Irina Mamaeva (Lenka’s Wedding, The Land of Gai). The depiction of countryside pre-sented by these writers is negative in meaning as descriptions of both rural life conditions and spatial elements are dominated by motifs of destruction and decay. People leaving here do not have any opportunities or hope for improvement of their lives and cannot adjust to the reality following the political transformations. Showing the vanishing of patriarchal tradition, Prilepin and Mamaeva attempt at some kind of dispute with the representatives of rural prose of the 1960s and 1970s.
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