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Poetyka reportażu intertekstualnego na przykładzie tekstów Mariusza Szczygła

100%

Zimnoch M.

Jednak Książki. Gdańskie Czasopismo Humanistyczne

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2016

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issue 5 "Reportaż literacki. Pogranicza"

25-38

EN

The intertextuality is one of a few terms gaining dominion over a whole contemporary culture. However, as long as literary reportage is considered the traditional mimetic relation takes the first and the last place alike. The main thesis of herein paper is that after the postmodern turn the naive referential analysis of creative non-fiction cannot be the most accurate way of interpreting anymore. Intertextuality appears to be able to refresh some reading methods and make them as adequate as possible in the postmodern reality. Moreover, it is not only about a kind of scholarly designed methodology, but also about a groundbreaking subgenre: an intertextual reportage which bases on the intentionally established relations between some texts. One of the most characteristic representatives of this genre variant is Mariusz Szczygieł whose pathway leads from an ordinary reportage form early 90’s to contemporary intertextual reportages about Czech Republic. Szczygieł is aware of fact that human perception is deeply influenced by some cultural schemes determined mostly by novels, newspapers, electronic media and art. That’s why the intertextual relations in his pieces seems to be even more important than the process of referring to the actual reality. The herein paper follows Szczygieł’s way from modern to postmodern configurations of the literary reportage, reconstructs his vision of the Bohemia with its art and literature and analyses one of his most specific works in terms of intertextuality.

2

O świecie zanurzonym w modalności

72%

Szwat-Gyłybowa G.

Zeszyty Cyrylo-Metodiańskie

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2020

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vol. 9

EN

A review of: Siedlecka, Sylwia. Złote piachy [Golden Dusts]. Wołowiec: Czarne, 2019. The author presents an overview of the separate texts in Siedlecka’s book on post-communist Bulgaria. While stating that the texts belong to nonfiction, the review questions the critical definitions of those texts as reports, suggesting further discussions on their genre.

PL

Recenzja książki: Siedlecka, Sylwia. Złote piachy. Wołowiec: Czarne, 2019.

3

Details and War Writing. An Interview with Christopher Merrill

72%

Merrill C.

Forum Poetyki

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2022

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issue 30

EN

In the interview Christopher Merrill explains the role of concrete details in war writing and war journalism. He reveals how drawing on details allows the writers to build the larger context for images of destruction and experiences in the war zones. Merrill recollects his memories from his trips around former Yugoslavia during the Balkan wars, from his journeys to Afghanistan, and other countries. He explains how to teach war writing by looking at good models. According to him only the challenging experience of the war zones lets the writer clarify if he wants to engage into war writing.

PL

W rozmowie Christopher Merrill wyjaśnia, na czym polega szczególne znaczenie detalu w pisarstwie i dziennikarstwie wojennym. Wskazuje, jak dzięki pracy nad detalami pisarze opracowują szerszy kontekst dla obrazów zniszczenia i doświadczeń ze stref wojennych. Przywołuje swoje autobiograficzne doświadczenia z pobytu na Bałkanach w czasie wojny w byłej Jugosławii, z wyjazdu do Afganistanu i innych krajów. Wyjaśnia, na czym polega nauczanie pisarstwa wojennego w oparciu o dobre wzoru z przeszłości i współczesności. Podkreśla, że dopiero konfrontacja z realiami strefy wojennej decyduje o tym, czy czyimś wyborem stanie się pisarstwo wojenne.

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Poetyka reportażu intertekstualnego na przykładzie tekstów Mariusza Szczygła

O świecie zanurzonym w modalności

Details and War Writing. An Interview with Christopher Merrill