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Contextes d’un conte, pré-/prae-textes d’un détournement : Règlement de contes de Vera Feyder

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Niedokos J.
Academic Journal of Modern Philology
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2023
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issue 20
281-287
EN
The present article aims to analyse Vera Feyder’s text Règlement de contes by placing it in a vast French literary context and by highlighting the links that attach it to its praetexts - works on which it draws and which precede it. The examination carried out reveals that the play presented to the public in 1984 was written after the increased theoretical and literary interest in the tales of the 70s. On the other hand, its original form of radio broadcast revives the care to cultivate the oral tradition. The analysis of the work itself reveals the mix of sources with differen generic membership as well as multiple levels of hypertextuality. The transformations introduced at the level of the constituent elements of the action make it possible to speak of the change in the motivations of the protagonists while the ideological and aesthetic scope of the story is focused on the spirit of resourcefulness and the universality of the genre. Consequently, the adaptation of tales proposed by Vera Feyder (Puss in Boots, Little Red Riding Hood and Sleeping Beauty by Charles Perrault and “Bon conseil aux amants” by Victor Hugo) falls under the art of palimpsest and makes it possible to classify it among the dramatic parodies of tales (according to Béatrice Ferrier’s typology).
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Sur la postérité de quelques contes de Charles Perrault

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Wandzioch M.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2015
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vol. Special Issue: Le monde de la litérrature
84-91
EN
The fairy tales with their literary form, given by Charles Perrault in 17th century, have become with the passing of time a part of collective patrimony. No wonder many writers have been making use of this source in order to create their versions of Perrault’s stories. The most interesting fairy tales seem to be those which rewrite Bluebeard. One of them is Amélie Nothomb’s novel, published in 2012 and supporting the same title, in which readers can find a realisation of the phenomenon called by G. Genette a “pragmatic transposition” (“transposition pragmatique”).
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