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1

Rozumienia polityki a badanie pozornie niepolitycznych sfer życia społecznego

100%

Kaczmarek B.

Studia Politologiczne

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2017

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vol. 46

75-95

EN

The article analyzes mutual relations between political science and other social sciences, especially organization studies and management. It shows how political science is indebted to other disciplines, and, on the other hand, how it has the capacity and potential to investigate areas of social life which tend to be seen as non-political. This potential is usually underestimated and unused by political scientists themselves, while representatives of other disciplines often ignore the input political scientists can have in their fields. The encroaching of political science onto areas of study traditionally taken over by other disciplines can contribute to more accurate interpretation and analysis of problems taken up there and can allow political scientists to identify phenomena, that have so far been escaping their notice, as well as political processes which mask themselves as non-political or apolitical.

2

Stanisław Barańczak i awangarda

71%

Świeściak A.

Przestrzenie Teorii

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2016

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issue 26

65-85

PL

The poetry of Stanisław Barańczak, who himself was against historical avant-garde as a movement that abandoned ethical commitments, has quite a lot in common with avant-garde. Like other New Wave artists, his poetry can be read in the context of the neo-avant-garde and counterculture, e.g. in the context of Guy Debord’s The Society of the Spectacle and Herbert Marcuse’s Onedimensional Man, with the propositions that overlap in many places with those of Baranczak’s “dialectic Romanticism”. When analysing the links of this poetry with the participant art of the 1960s and 1970s, it can be concluded that new-wave commitment has little in common with the typical attempts of the neo-avant-garde at regaining privacy, since the political character of Barańczak’s poetry is based on giving a position of privilege to the martyrdom code of Polish romanticism, which he frames in elitist modernist language.

3

Postjugosłowiański teatr pamięci w projektach wizualnych Bálinta Szombathyego i Jasminy Cibic

54%

Bogusławska M.

Balcanica Posnaniensia Acta et studia

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2015

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vol. 22

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issue 2

187-200

EN

The starting point of my considerations is the category of the theatre of memory, taken from Francis Yates’ book Art of memory. The category was applied in the book in relation to ancient traditions and mnemonic techniques. In the article I attempt to reinterpret this category and apply it in the description of the contemporary practices of commemorating and reminding of the Socialist Yugoslavia’s experience in space and through space. I am interested in the artistic activities of contemporary visual creators who in their works deal with the subject of SFRY. Referring to the example of the works of the artists belonging to different generations, I discuss two trends seen in the reception of this historical experience. Metonymic approach (Szombathy) is based on problematizing one’s own biographical experience as a part of the G reat H istory, while the metaphorical recognition (Cibic) means a search for universal content in what is historical and local.

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1 Balcanica Posnaniensia Acta et studia

1 Przestrzenie Teorii

1 Studia Politologiczne

1 Bogusławska M.

1 Kaczmarek B.

1 Świeściak A.

1 2017

1 2016

1 2015

Rozumienia polityki a badanie pozornie niepolitycznych sfer życia społecznego

Stanisław Barańczak i awangarda

Postjugosłowiański teatr pamięci w projektach wizualnych Bálinta Szombathyego i Jasminy Cibic