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The article is devoted to a reflection on the category of time in Georgi Gospodinov’s novel Vremeubežiŝte (2020), where the author undertakes a reflection on the processes of culpable and non-culpable self-destruction of societies that have rejected the rules of Enlightenment rationalism. Using the tools of dystopia, he creates a world gripped by collective madness, the sources of which he derives from extra-literary reality and links to contemporary political and cultural processes. Leszek Kolakowski’s concept of time as the vault of the human home, which is based on four pillars: reason, God, love, death, remains the philosophical point of reference for my deliberations. In turn, the concept of retroutopia of the sociologist of culture Zygmunt Bauman provided me with tools to reflect on a new type of rationalism after the conservative turn. René Girard’s concept of mimetic competition was helpful in considering the structure of the world presented in the novel.
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Between patriotism and nationalism: pop-nationalism in rock musicThis article addresses issues which can be seen in the manifestation of ethno-nationalism in rock music. Concepts of nationalism and patriotism are illustrated by references to the literature on the subject. Polish national ideology is formed, for example, on a pragmatic concept of nationalism. A new direction in this work is an examination of pop-nationalism of rock music on the example of the Polish band “Horytnica”. Między patriotyzmem i nacjonalizmem na tle popnacjonalizmu w muzyce rockowejW artykule zajmuję się problematyką popnacjonalizmu przejawiającą się w muzyce rockowej. Ze względu na złożoność pojęć nacjonalizmu i patriotyzmu przytaczam interesujące nas tu opinie na ten temat w literaturze przedmiotu. Pojęcie nacjonalizmu ustalam pragmatycznie na przykładzie deklaracji ideowych polskich organizacji narodowych. Novum w niniejszej pracy stanowi problem popnacjonalizmu w muzyce rockowej, przedstawiony na przykładzie twórczości zespołu „Horytnica”, odwołującej się do wspomnianych idei.
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