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Samochód jako rekwizyt – ekranowe wizerunki dodge’a chargera

100%
Czaja J.
Przestrzenie Teorii
|
2023
|
issue 40
205-223
EN
The car is a popular prop used in the cinema to create film reality. On the screen it functions not only as a physical object, an element of the depicted world, but also as a representation, imagination, myth. The aim of the article is to analyze various ways of using a car (the Dodge Charger, considered an icon of the automotive industry, the most popular American muscle car) as a film prop in a Hollywood cinema, a description of its various functions, meanings and meanings assigned to it – literal and symbolic.
2
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Komiksowy rekwizyt i jego specyfika w „Trasie promocyjnej” Andiego Watsona

100%
Kowalczyk M.
Przestrzenie Teorii
|
2023
|
issue 40
187-204
EN
In comics, similar to theatre or film, props play a crucial role in storytelling. However, in the comic medium, the function of a prop as a meaningful element takes on a distinct character. Cartoons not only depict objects but also give them specific significance through artistic representation. The article aims to explore this phenomenon by examining the graphic novel The Book Tour by Andi Watson. The analysis draws upon the insights of renowned comics scholars but also refers to broader conceptual frameworks.  Thus additional links to theoretical proposals on the semiotics of visual representations and semiotics of the stage. Throughout the discussion, the paper presents artistic techniques used by Andi Watson that contribute to the unique nature and the way of functioning of comic props.
3
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Rekwizyt w świecie pojęć

100%
Krajewska A.
Przestrzenie Teorii
|
2023
|
issue 40
7-10
EN
This introductory article deals with the different ways of representing the prop: from an object referring to meaning, which is mainly related to the theatrical stage, to the notion of a prop playing the role of an analytical category in literary studies.
4
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Ciało jako rekwizyt

80%
Wachowski J.
Przestrzenie Teorii
|
2023
|
issue 40
73-86
EN
The article is an attempt to describe the conditions in which the body assumes the role of a prop – it becomes an object organizing individual and social life. For such a process to take place, it is necessary to disconnect the body from the Self. It comes with his death. Funeral practices that change the social status of the body can take a monistic or dualistic form. The former make the body a relic and are based on the belief that soma is connected with its spiritual essence. The latter, on the contrary, points to the impermanence of such a connection. In this way, the body becomes a prop, an object, an object, and a tool for funeral performances.
5
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Rekwizyt – atrybut – gadżet. O społecznych funkcjach znaków addytywnych

71%
Hendrykowski M.
Przestrzenie Teorii
|
2023
|
issue 40
13-28
EN
The article presents a panorama of selected topics and research issues relating to the functional characteristics of props, both in the past and present.
6
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Barbie - od przedmiotu do rzeczy

51%
Woźniak-Czech E.
Przestrzenie Teorii
|
2023
|
issue 40
225-247
EN
Barbie, the doll-symbol, the pop culture icon and significant prop on the artistic, political, social and business scenes, has been arousing emotions in subsequent generations for several decades. It is worth noting, however, that today Barbie is no longer just a passive instrument illustrating desired ideas, but has become a factor creating reality independent of her creators. In the present discussion, the author focuses on the interpretation of the phenomenon of Barbie perceived as an object and a thing in the sense of the Italian philosopher Remo Bodei. The article attempts to trace the transformation of the image of the Barbie doll from its creation to modern times, when its popularity peaked thanks to the excellent marketing strategy accompanying the distribution of Greta Gerwing’s 2023 film Barbie.
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