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Žert: pohled na totalitní režim

100%
Abarca L. M.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2018
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vol. 58
149-154
EN
The purpose of this article is to discuss the totalitarian experience of a human being through the study of The Joke, the first novel by the Czech writer Milan Kundera, written in 1965. Although the work allows us to approach the phenomenon of Soviet totalitarianism through the historical scenario in which the characters develop, alluding without any doubt to the apogee and decay of the Soviet regime in Czechoslovakia, this paper intents to place totalitarianism as a tendency contained in the modern individual. That is, the representation of totalitarianism as an existential situation.
2

Między powieścią a przypowieścią. Biblijne paralele prozy Jana Balabána

100%
Sielicki R.
Studia Slavica
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2013
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vol. 17
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issue 2
215-224
EN
The vast majority of Jan Balabán’s works are short stories. They are regarded by many as dark and obscure, which led some to discover symbolic dimension of his prose. The form of writing applied by the author could have been influnced on the one hand by American literature and on other hand by evangelical way of education he got at home. Typical for protestants was teaching children biblical stories, especially New Testament parables. The analysis of Jan Balabán’ works lead to discover many biblical quotes and motives in his books. He creates some of his stories in the image of New Testament parables and describes some of the characters as if they were biblical heroes. He also name some of them in the biblical way by giving them prefix „no” at the begining of their names. There are many differences between the form of parable used by New Testament and the stories of Jan Balabán. However, some similarities can also be seen. This seems to give his prose some existential dimension.
3
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Between Freedom and Imprisonment. The Shanghai Ghetto from the Perspective of the Bulgarian Writer Angel Wagenstein

100%
Kuczyńska M.
Poznańskie Studia Slawistyczne
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2023
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issue 24
117-130
EN
Angel Wagenstein’s novel Farewell, Shanghai is this article’s focal point. The attention focuses on the literary picture of the Shanghai ghetto (Hongkew district) during the Second World War. Wagenstein shows the ghetto as symbol of the end of the Jews’s eternal wandering, where they found autonomy from other nations, and reunification based on sufferings and religion. Before them there stands the long-awaited promised land, where they themselves will govern themselves.
4
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Les Hors Nature de Rachilde : la querelle des nationalistes et des cosmopolites à la sauce décadente

84%
Staroń A.
e-Scripta Romanica
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2016
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vol. 3
63-74
EN
The central theme of Rachilde’s Les Hors Nature, written at the peak of French nationalism, is the confrontation between two nationalities, representing two cultures, two homelands and two personalities. The novel describes two opposite positions: a cosmopolitan one versus a traditional and historical one. Rachilde, despite her open anti-German declarations during the two World Wars, seems here inclined to much more moderate opinions. She does so in her own way, combining ideological statements with a wish to be original and provocative.
FR
Dans Les Hors Nature de Rachilde, la confrontation des deux nationalités qui signifient deux cultures, deux patries et deux caractères constitue l’axe central de ce roman, écrit au moment de la montée du nationalisme en France. Deux positions contraires sont décrites : la première relève du cosmopolitisme, dont la querelle se déroule en France précisément à cette époque, la deuxième se réclame d’une vision plus traditionnelle et historique. Rachilde, qui, à l’occasion des deux grandes guerres, manifestera bien ouvertement sa haine de l’ennemi, semble ici exprimer des opinions beaucoup plus modérées. Elle ne manque pas de le faire à sa manière, combinant aux réflexions idéologiques le désir d’originalité et de provocation.
5
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Sustavna i kritička katalogizacija djela Ivane Brlić-Mažuranić

84%
Kos-Lajtman A.
Libri & Liberi
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2012
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vol. 1
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issue 1
133-135
EN
A book review of "Romani. Sabrana djela Ivane Brlić-Mažuranić. Kritičko Izdanje." published in 2010.
HR
Prikaz knjige Vinka Brešića "Romani.. Sabrana djela Ivane Brlić-Mažuranić. Kritičko izdanje." objavljene 2010. godine.
6
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La critique littéraire de Rachilde : du texte comme prétexte

84%
Staroń A.
Academic Journal of Modern Philology
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2023
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issue 20
315-323
EN
For over twenty-five years, Rachilde regularly commented on approximately thirty novels a month, in the column she signed for the Mercure de France. Sometimes her readings concluded in opinions on novelistic aesthetics, sometimes she spoke out on social issues or other prevailing matters. Thus, the texts she read became pretexts for presenting opinions sometimes far from literary subjects. Considering Rachilde’s sulfurous reputation, it seems interesting to examine her point of view on morality. The article focuses on some specific points contained in this notion: the relationship between the sexes, marriage and divorce, prostitution, offspring.
7
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Sur les traces de Franz Kafka dans l’œuvre de Milan Kundera

84%
Žehrová L.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2015
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vol. Special Issue: Le monde de la litérrature
141-148
EN
Franz Kafka is undoubtebly an important part of the literary canon of the Central Europe and especially of the canon formed by Milan Kundera in his works. Kundera considers Kafka to be one of his principal masters. He sees Kafka as an antecendent of surrealism and existencialism. According to his collection of essays The Art of the Novel, Kafka is the prototype of the ideal author who invites us to cross the border of the probable showing us the world from the other side. Thus, we can observe the human existence in different and better way. By showing this, he fills up the main task of every novelist. The contribution will analyze the alludes of Kafka in the work of Kundera and will try to describe their character and explain how Kundera works with examples of Kafka and his work in his own books.
8
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Fantaisies et (dé)raisons de l’oubli chez Jean Giraudoux

67%
Coyault S.
Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
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2020
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vol. XXX
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issue Zvláštní číslo – Le monde de la littérature
101-108
EN
Among the traumas associated with the First World War, Giraudoux was particularly sensitive to amnesia, to the point of making it the main subject of a novel: Siegfried et le Limousin. Adapted to the scene in 1928, this novel contributed to author’s fame and inaugurated his collaboration with Louis Jouvet. In fact, the principle of forgetfulness persists throughout the whole Giraudoux’s work: comical, dramatic or poetic, and it is also the main pretext for a meditation on memory.
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L’arriviste : Emblème du déplacement dans le roman réaliste français des années 1830–1895. Esquisse

67%
Hanotte-Zawiślak A.
Roczniki Humanistyczne
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2018
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vol. 66
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issue 5: Neofilologia
103-113
PL
Arywista to typowy przykład „dziecięcia dziewiętnastego wieku”. Pojawia się on właśnie w tej epoce, dzięki zmieniającym się realiom historycznym i socjalnym, takim jak rewolucja francuska, epopeja napoleońska czy rewolucja przemysłowa. Te wydarzenia otwierają przed młodymi ludźmi wielkie możliwości, stymulują ich wyobraźnię i rozbudzają w nich ambicje powodzenia i podboju ówczesnego świata. Arywista jest więc postacią w ruchu. Termin ten, zapożyczony z języka francuskiego, to dziewiętnastowieczny neologizm, pochodzący od słowa arriver — „przyjść, dotrzeć, udać się, przybić do brzegu”. Końcówka -iste wskazuje jednak, że bohater ten jest w trakcie drogi na szczyt, co odróżnia go od parweniusza, który odniósł już sukces. Kariera arywisty rozpoczyna się zazwyczaj od opuszczenia rodzinnego domu. Zostawia on miasto lub miasteczko, aby spróbować swoich sił w stolicy. W ten sposób przechodzi przez różne warstwy społeczne — zaczynając od skromnego otoczenia, dochodzi do najbardziej prestiżowego towarzystwa. Arywista to postać literacka, która łączy w sobie mobilność geograficzną, jak i społeczną. Co więcej, to także bohater, traktowany przez niektórych jako postać nie na swoim miejscu, której nie udaje się znaleźć wymarzonej pozycji, co w rezultacie może doprowadzić do jej upadku.
EN
An arriviste is a typical example of a ‘child of the nineteenth century.’ The arriviste is a product of social and political developments such as The French revolution, Napoleonic rule and the industrial revolution. The changing climate of the nineteenth century provides new opportunities for young people, stimulating their imagination and awakening their ambitions to conquer the world. The ‘arriviste’ is a character in movement. The French term ‘arriviste’ first appears in the nineteenth century, and describes a hero who is ‘still arriving’, having not yet accomplished his career ambitions. An ‘arriviste’ is thus different from a parvenu, as he has not yet succeeded. The ‘arriviste’ usually begins his career when he leaves his family home as a young adult. He leaves behind his rural village or town, aiming to find success in the capital. He moves through social classes, shifting from his own modest milieu to socializing with the wealthy upper classes. The ‘arriviste’ is a literary character who unites himself with geographical and social displacement. Furthermore, he is often considered as a displaced hero. In search of a new position, he risks being considered as a usurper, unable to find the right place in the Society.
FR
L’arriviste est l’exemple type de l’enfant du XIXe siècle. Il naît à cette époque-là, grâce aux bouleversements historiques et sociaux que sont la Révolution française, l’épopée napoléonienne, mais aussi la révolution industrielle. Ces événements donnent aux jeunes gens de ce siècle de grandes opportunités et, surtout, stimulent leur imagination en éveillant en eux des ambitions de réussite et de conquête du monde. Ainsi, l’arriviste est un personnage en mouvement. Comme son nom l’indique, c’est un héros en train de « se faire un nom », ce qui le différencie du parvenu qui a déjà réussi. La carrière d’un arriviste commence souvent dès son départ du foyer familial. Ce jeune homme décide de quitter sa ville provinciale en espérant tenter sa chance dans la capitale. Il traverse ensuite plusieurs couches sociales : en partant d’un milieu modeste, il parvient à accéder aux classes les plus fortunées. L’arriviste est une figure littéraire qui unit en lui le déplacement géographique aussi bien que social. De surcroît, il est également un héros jugé déplacé pour certains autres personnages : il n’est pas à sa place, ne réussit pas à en trouver une, ce qui peut conduire à sa chute.
10
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Crnogorska dječja književnost i dječji svijet Dušana Kostića

59%
Kalezić-Đuričković S.
Libri & Liberi
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2014
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vol. Volume 3
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issue No. 1
57-74
HR
U radu se iznosi pregled crnogorske dječje književnosti pa se u tome kontekstu analiziraju dječji romani Dušana Kostića. Njegovo se ime povezuje s različitim žanrovima: od poezije i proze (pripovijedaka i romana) do publicističkih, putopisnih i kritičkih ostvarenja. Kostić nije manje plodan ni kada je u pitanju dječja književnost; objavio je poemu Gradić Jelengaj (1954.) i četiri romana za mlade čitatelje: Gluva pećina (1956.), Sutjeska (1958.), Modro blago (1963.) i Gora Koštanova (1967.). Velik dio motiva i tema crpi Kostić iz sjećanja na mukotrpnu i siromašnu mladost u ekonomski i politički teškom vremenu nakon Prvoga svjetskoga rata. Lirizacija umjetničkoga izraza najizrazitije je sredstvo Kostićeve poetike koje je slijedio i u djelima za najmlađe. Ondje poetičnim i živopisnim bojama oslikava vlastito djetinjstvo i ambijent u kojemu je odrastao, tako da ne čudi da ga se među crnogorskim piscima smatra jednim od glavnih predstavnika autobiografske pripovjedne književnosti.
EN
This paper presents an overview of Montenegrin children’s literature which provides the context for an analysis of the children’s novels of Dušan Kostić. Kostić is known for various literary genres, from poetry and prose (short stories and novels) to journalistic narratives, travelogues and critical works. This author is hardly less prolific in children’s and young adult literature, as he published five works intended for young readers: the poem The Town Jelengaj (1954) and four novels: Deaf Cave (1956), Sutjeska (1958), Blue Treasure (1963) and Chestnut Mountain (1967). Many of his motifs and themes are derived from his memories of a difficult childhood spent in poverty at the time of economic crisis after the First World War. Kostić followed the tendency of lyrical and artistic expression, the most expressive means of his own poetics, in the creation of children’s books. In his works, Kostić describes with poetical liveliness his own childhood and the circumstances in which he grew up. Thus, he can rightfully be considered one of the main representatives of autobiographical narrative fiction among Montenegrin writers.
DE
Der Beitrag offeriert einen knappen Überblick über die montenegrinische Kinder- und Jugendliteratur, in deren Kontext die Jugendromane von Dušan Kostić besprochen werden. Kostićs Produktion umfasst Texte aus unterschiedlichen literarischen Gattungen, die von Poesie und Prosa (Erzählungen und Romane) bis hin zu Reiseberichten, publizistischen und literaturkritischen Texten reichen. Nicht weniger umfangreich ist auch Kostićs jugendliterarische Produktion: Er schrieb das Gedicht Gradić Jelengaj (1954) sowie vier Romane für junge Leser (Gluva pećina, 1956; Sutjeska, 1958; Modro blago, 1963 und Gora Koštanova, 1967). Motive und Themen schöpft der Autor mehrheitlich aus Erinnerungen an seine schwierige und ärmliche Jugend, die von wirtschaftlich und politisch schwierigen Zeiten nach dem Ersten Weltkrieg geprägt war. Das auffälligste Kennzeichen Kostićs Poetik bildet sein dichterisch stimmungsvoller künstlerischer Ausdruck, die auch in seinen Werken für jüngere Leser zu Tage tritt. Darin schildert er in poetischen und lebhaften Farben die eigene Kindheit und das Milieu, in dem er aufwuchs. Auf Grund dessen ist es nicht verwunderlich, dass er unter den montenegrinischen Schriftstellern als wichtiger Hauptvertreter der autobiographischen Erzählliteratur gilt.
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