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Sataniczność kreacji bohatera w Arabie Juliusza Słowackiego

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Nowak M.
Przestrzenie Teorii
|
2021
|
issue 35
217-234
EN
This article attempts to read Juliusz Słowacki’s Arab from the comparative perspective of John Milton’s Paradise Lost. The protagonist of Słowacki’s oriental tale, who is a variation on the Byronic hero, also shows similarities with Milton’s Satan: unceasing motion, obsession of revenge, loneliness, axiological preference of evil. The analysis of those similarities creates a new interpretative context for Arab, which was hitherto regarded as a superficial study of the pathological psyche or a caricature of the Byronic model.
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