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EN
The article is devoted to the reception of the “Polish” in the Russian-language fiction. It indicates the sources of “background knowledge” of Poland from the authors and readers. The article deals with of images of Poland from the Soviet era to the present. Here are presented the schemes of work with the Polish material in the Soviet and post-Soviet fiction. Among them are: 1) the use of the Slavic (and Polish) material to provide the reader with a distance; 2) the use of “Polishness” as a mirror for self-examination of Russian culture; 3) the game with the Polish in the context of revenge models in the alternative stories (Poland as an “internal” and “external” enemy).
EN
The article summarises the leading symbols and concepts, claimed to belong to the Eastern Orthodox tradition according to students’ presentations at the final stages of the Slavic Contest for students from the Lublin Voivodeship. The Contest is held annually since 2009 and is organised by the Institute of Slavic Philology at the Marie Curie-Skłodowska University in Lublin, Poland. Presentations from the last four editions of the Contest lead to the conclusion that Eastern Orthodox tradition appeals to young audiences in the Lublin region due to its association with ancient and exotic customs and rituals, however it is exclusively connected to the Russian-Ukrainian cultural heritage.
PL
Autor analizuje główne symbole i koncepcje, uważane za należące do tradycji prawosławnej, które są często wykorzystywane w prezentacjach uczniowskich podczas finałowych edycji Konkursu Slawistycznego, organizowanego corocznie od 2009 roku przez Instytut Filologii Słowiańskiej Uniwersytetu Marii Curie-Skłodowskiej w Lublinie. Analizując prezentacje z ostatnich czterech edycji Konkursu autor formułuje wniosek, że tradycje prawosławne przyciągają uwagę uczniów na Lubelszczyźnie dzięki swojej egzotyce i archaiczności, lecz utożsamiane są jedynie z rosyjskim i ukraińskim dziedzictwem kulturowym.
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