The article addresses the difficulty of classifying Adam Pomorski’s translations of Velimir Khlebnikov’s poetry as a mere stylization after Boleslav Lesmian’s poetry. The Polish translations of the neological poetic experiments of the Russian Cubo‑Futurist provide a point of departure to discuss theoretical and interpretive implications of stylistic reminiscence as a unique type of intertextual dialogue between the literature of the original and the receiving literature.
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