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This paper aims to present the possibility of drawing a deeper connection between the medieval imaginarium and selected tropes in twentieth century fantasy literature, based on a case study analysing the concept of paradise in C. S. Lewis’s young adult book series, The Chronicles of Narnia. In order to do that, the article introduces some key elements and rules governing medieval geographical concepts and how they tie in with the highly symbolic perspective on the world adopted in that epoch, using examples from cartographic and literary sources. Next, the author takes a look at the model of paradise carefully crafted in Lewis’s novels, to later compare it with its medieval counterpart and demonstrate the analogies between the two, with the goal of providing some clues regarding possible paths for interpretation.
EN
My paper aims to examine ways in which the term “Balkans” was negotiated in modern Greek culture during the 19th and 20th centuries, based primarily on modern Greek literary texts of various kinds; however, in order to approach the issue more globally, other types of textual evidence from the relevant period are discussed, such as diplomatic, historical, and political texts. The goal of my research is to develop a theoretical pattern which explains the variety of Greek attitudes towards the Balkan nations. To describe this evolutionary scheme, based on the theoretical framework composed of seminal works including Edward Said’s Orientalism, Maria Todorova’s Balkanism, and Milica Bakic-Hayden’s Nesting Orientalisms, I discuss an ideological and discursive mechanism which I call “reversed nesting orientalisms”. Thus, I highlight the imaginary relationship as it was created, evolved, and consolidated in terms of narrative representations within modern Greek culture, with the broader goal of reaching a deeper understanding of the historical, political, cultural, and ideological factors which shaped modern Greek discourse about the Balkan nations.
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