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The article makes an attempt at discussing a mediaeval document (the foundation charter of Lublin) in genealogic aspect – as one o the genres of chancellor’s style. It draws upon the information from many fields of knowledge: diplomacy, history, theory of literature, onomastics as well as the elements of the law. The object of analyses have been the petrified documentary formulas (invocation, intitulation, preamble, promulgation, narration, disposition, dating, testing, corroboration, scriptural formula), of which the mediaeval diploma was composed, and whose presence and sequence of occurrence attest to the features of chancellor’s style. Another characteristic feature of the studied chancellor’s form of expression are the onomastic data determining the studied text in structural, pragmatic, cognitive and stylistic order and constituting its initial and final compositional frame.
EN
Symfonije anielskie mentioned in the paper’s title is a very popular collection of carols by an early Baroque court poet Jan Żabczyc. This rather small volume (36 compositions) became a part of the tradition of Polish religious song, and also, more broadly –history of Polish culture and is regarded as one of the most interesting phenomena in Polish Baroque religious lyric poetry. The aim of the present article is to analyse the following semantic and formal questions: the title, organization of the entire volume and its individual texts with the help of frame segments (the initial and final) as well as the fundamental section developing the plot. The presence of the abovementioned compositional elements determines the rudimentary organizational principles of the entire collection. Moreover, the indicated determinants of the collection or its sections provide information about more detailed questions: the form of presentation and the category of the sender and recipient. Careful composition of the entire collection and also every individual carol text demonstrates that while creating Symfonije Żabczyc pursued a predetermined structure, both in the selection of motifs as well as formal elements. The repetition of several structural models, similar arrangement of content and the use of the same set of stylistic and linguistic means provides compositional and stylistic transparency to Symfonije, which is especially significant for the collection due to the fact that all texts, according to the author’s intention, were primarily meant for singing. As it turned out, the collection of carols by Żabczyc enjoyed great popularity through ages, and several songs have been performed until today.
EN
The article deals with an interesting discovery made by Władysław Nehring. It concerned eight sheets with a text printed in Polish. They were found in the binding of the box with antique prints from the book collection of the University Library in Wrocław. At first the discoverer thought that the notes must have come from an unknown prayer book from the first half of the 16th century – Hortulus animae. Nehring became famous owing to a brilliant study that, referring to the thesis presented in it, was entitled Pierwsza książka polska. Despite many doubts and remarks implied by the thorough analysis of Pierwsza książka polska the fact is indisputable that the importance of Bernacki’s study is unquestionable. An undeniable advantage of the Hortulus monograph also consists in the unusually mature and precisely elaborated research method that is a blend of typographic, archival and philological methods. The method is difficult, it requires broad knowledge, inquisitiveness, the ability to draw conclusions, and also a lot of patience necessary to conduct a number of in-depth, and first of all laborious, studies.
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