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Podmiot transseksualny w kulturze – oswajanie, tragizm, tekstualizacja

100%
Kujawska-Kot A.
Przestrzenie Teorii
|
2019
|
issue 31
312-342
EN
The article presents the issue of the representation of a transsexual subject’s experience in various discourses. Pointing to the need for dialogical openness, the author proposes a transdiscursive perspective on transsexuality. By referring to the literary and historical discourses, the author proves that transsexual characters are constantly present in culture, but there is lack of textological reflection on this issue in studies on transsexual individuals. The author puts forward the thesis that these transsexual characters are searching for hypotexts in which they can find confirmation of their internal gender identity. As a result, during the process of transistion, they externalize themselves through intertextual bodywriting. On the one hand, they textualize themselves, but on the other hand, they create textual narrations about themselves. They want to exist socially throughout the text. The article is an attempt to open up theoretical reflections on transsexuality.
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Taktylne doświadczanie transseksualnej cielesności. Przeżycia bohatera filmowego a ukłucia psychosomatyczne odbiorcy

96%
Kujawska-Kot A.
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
|
2022
|
vol. 10
236-249
EN
While examining the bodily experiences of the transsexual character during the process of gender correction the author of the article puts forward the thesis about the possibility of intuitive, emotional and tactile approach to his somatic experiences. In film recognitions she refers to: Murray Smith’s cognitive theory of emotions, senses simultaneity (Juhani Pallasmaa), understanding of movies as a tangible experience (Thomas Elsaesser, Malte Hagener, Vivian Sobchack). Among others the author uses a parallel between the transcharacter’s body and the performance to provoke the viewer to a more emotional approach in which psychosomatic stings, empathy, haptic imagination play a key role.
PL
Autorka artykułu, badając cielesne doświadczenia bohatera transseksualnego w trakcie procesu korekty płci, stawia tezę o możliwości intuicyjnego, uczuciowego i taktylnego zbliżenia się do jego somatycznych przeżyć. W filmowych rozpoznaniach odwołuje się do: kognitywnej teorii emocji Murraya Smitha, symultaniczności zmysłów (Juhani Pallasmaa), rozumienia kina jako namacalnego doświadczenia (Thomas Elsaesser, Malte Hagener, Vivian Sobchack). Stosuje między innymi paralelę między ciałem transbohatera a performansem, by sprowokować odbiorcę do bardziej emocjonalnego podejścia, w którym ukłucia psychosomatyczne, empatia, haptyczna wyobraźnia odgrywają kluczową rolę.
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