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EN
Contemporary folklore studies use photographs, especially family snapshots, to conduct narrative interviews in the course of a field work. They treat photography, which has broken the monopoly of spoken word in traditional culture, as a carrier of memory, human experiences and emotions, as images supported with words influence ways of comprehending the past and shaping the memory within local communities. New image-recording techniques also affect the method of carrying out field work, makingit possible to perpetuate the situation under investigation not only on a photographic platebut also on video carriers and digital tapes, thus extending the possibilities of interpreting the current folklore sources. Documentation collected in this way may be published on professional web portals along with the text. The fact that image-recording tools have become so widespread also increases the pace of the changes taking place within the domain of traditional family and annual rituals: recordingvarious events (e.g. wedding receptions or Shrovetide ceremonies) on a videotape and then posting those videos on the Internet, especially on YouTube, sets a new area of field work for folklorists and speeds up the process of theatricalization and carnivalization of contemporary culture.
EN
Qualitative research is always about some form of intervention into the real world, however that intervention is always mediated by various material practices employed in the research process. This article engages with material practices accompanying research to discuss the ways in which they influence the research process, the observed and the observer. More specifically, this article attends to the use of video technology in qualitative research to reflect upon the material practices that not only make the world visible but also shed light on the research process through which such worlds become known. Reflections from research on institutions and institutional life are used to demonstrate points of interaction that transform the worlds of research and the worlds of everyday life.
EN
The paper deals with a problem of analysis of interactions between humans and animals. The author presents his research in which he analyzed transcription of video interactions between humans and animals. The observation of gestures exchanges allows to reconstruct the social rituals (greetings and farewells) and others forms of associations (play, spontaneous expressions of emotions, bathing, reposing, walking, fighting during walks, feeding, indulgent castigation, giving medications, setting the form of interaction – negotiation), which create emotional and social bonds. The analysis of visual data gives the possibility to research corporality and direct interactions of 'bodies' in a sequential exchange of gestures that is the basic dimension of emotional and social bond's creation and finally a construction of "family identity'. The grounded theory methodology has been used in the research and analysis of data process.
PL
Artykuł dotyczy problematyki analizy interakcji pomiędzy ludźmi a zwierzętami domowymi. W badaniach tego problemu analizowano transkrypcje nagrań wideo interakcji zwierząt i ludzi. Obserwacje wymian dotyków i gestów pozwoliły zrekonstruować społeczne rytuały (powitania i pożegnania) i inne społeczne formy asocjacji (zabawa, spontaniczne wyrażanie emocji, kąpiele, układanie do snu, spacery, walki na spacerach, pobłażliwe karcenie, podawanie leków, ustanawianie formy interakcji), które wytwarzają emocjonalne i społeczne więzi. Analiza danych wizualnych daje możliwość badania cielesności i bezpośrednich interakcji ciał w wymiarze sekwencyjnej wymiany gestów jako podstawowego wymiaru wytwarzania emocjonalnej i społecznej więzi i ostatecznie tzw. „tożsamości rodzinnej". Jako metody analizy danych użyto procedur metodologii teorii ugruntowanej.
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