Results found: 2

Search results

Sort By:

Limit search:

Przekład autorski: między literaturą narodową a „obywatelstwem światowym” (na przykładzie Marii Kuncewiczowej i Janusza Głowackiego)

100%

Kampert M.

Przekładaniec. Półrocznik Katedry UNESCO do Badań nad Przekładem i Komunikacja Miedzykulturowa UJ

2018

issue 37 – Historia przekładu literackiego 2

48-63

Around 1949 Maria Kuncewiczowa worked on the project of ‘world citizenship’ – a remedy for those writers whom circumstances made stateless. In her view, the category of ‘world citizenship’ allowed to see one’s country from the perspective of the world. She also argued that knowledge of a foreign language was a promising way of opening up national, regional and doctrinal ‘ghettos’. Following her ideas, the article presents selftranslation as a phenomenon that exceeds one national context and creates a discursive space in which literature denies clear linguistic and cultural borders. After a brief outline of self-translation in the 20th-century Polish literature, the article analyses Kuncewiczowa’s self-translation of the play Thank You for the Rose (1950–1960) and Janusz Głowacki’s assisted self-translation of the play Antygona w Nowym Jorku (1992). In discussing the two case studies, the article pays particular attention to the idea of ‘world citizenship’ in relation to the concept of national literature.

Self-Translation: Between National Literature and “World Citizenship” (the Case of Maria Kuncewiczowa and Janusz Głowacki)

100%

Kampert M., Kamińska A.

Przekładaniec. Półrocznik Katedry UNESCO do Badań nad Przekładem i Komunikacja Miedzykulturowa UJ

2019

issue Special Issue 2019 – Translation History in the Polish Context

120-135

Around 1949 Maria Kuncewiczowa worked on the project of ‘world citizenship’ – a remedy for those writers whom circumstances made stateless. In her view, the category of ‘world citizenship’ allowed to see one’s country from the perspective of the world. She also argued that knowledge of a foreign language was a promising way f opening up national, regional and doctrinal ‘ghettos’. Following her ideas, the article presents selftranslation as a phenomenon that exceeds one national context and creates a discursive space in which literature denies clear linguistic and cultural borders. After a brief outline of self-translation in the 20th-century Polish literature, the article analyses Kuncewiczowa’s self-translation of the play Thank You for the Rose (1950–1960) and Janusz Głowacki’s assisted self-translation of the play Antygona w Nowym Jorku (1992). In discussing the two case studies, the article pays particular attention to the idea of ‘world citizenship’ in relation to the concept of national literature.

Refine search results

2 Przekładaniec. Półrocznik Katedry UNESCO do Badań nad Przekładem i Komunikacja Miedzykulturowa UJ

2 Kampert M.

1 Kamińska A.

1 2019

1 2018

Search results

Przekład autorski: między literaturą narodową a „obywatelstwem światowym” (na przykładzie Marii Kuncewiczowej i Janusza Głowackiego)

Self-Translation: Between National Literature and “World Citizenship” (the Case of Maria Kuncewiczowa and Janusz Głowacki)