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Mitomani (nie)rzeczywistości. Bruno Schulz i Max Blecher – próba porównania

100%
Szymankiewicz B.
Schulz/Forum
|
2016
|
issue 8
87-102
PL
The author takes into consideration themes that are common in the work of two Central European writers: Bruno Schulz and Max Blecher. The list of related topics includes the mythology of illness and death, a strong emphasis on the body/flesh, similar idiom, comparable concepts of “ecstatic identity,” the philosophy of representation based upon the artificiality of existence, masochism, irony, oneirism, common “spaces of myth,” and geopoetics. The main aim of the article is to place the writing of Schulz and Blecher in the context of Central European modernism and describe the work of these writers in terms of the so-called “critical modernity” (a term coined by Michał Paweł Markowski).
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Rumuńska choroba na śmierć. Kilka uwag o hermeneutyce cielesności (na przykładzie prozy Maxa Blechera)

100%
Szymankiewicz B.
Przestrzenie Teorii
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2018
|
issue 30
291-302
EN
In the European literature and culture of the interwar period we can observe increased interest in the physicality and the process of dying. Novels which touch upon these subjects are described by some scholars and critics as “sanitarian literature”. The following text is discussing the issues of the works of Max Blecher; his novel “Scarred Hearts” can be included in the circle of mentioned “sanitarian literature”. Blecher’s novel presents certain strategies of dealing with a terminal illness and the finiteness of human existence, as well as the alientation associated with these. The most frequently cited interpretive trail in this case is the philosophy of Kierkegaard, Jaspers and Heidegger. In the first part of the article, I refer to Blecher’s biography and his reception, while in the next part I contrast selected excerpts from his novel with philosophical hermeneutics.
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