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EN
Conrad Debrez is one of those Belgian writers in whom „the Belgitude" (being Belgian), or to put it differently, a relation to Belgium, characteristic of the writers of the 70s of the 20th century, is full of contradictory and intermingled feelings and emotions, from love to disdain, has found its fullest expression. It is suggested that in his case, the attitude to homeland, and therefore, to his own identity, should be traced on the basis of his autobiographical trilogy where a peculiar play with „I" is in fact an attempt at solving the problem of a Belgian's identity.
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EN
Paul Willems, Flemish writer and playwright, who wrote in French, can be considered along with Suzanne Lilar as one of the last Belgian writers in national understanding of this word. This paper is a proposal of analysis of the last prose writing of Willems Le Pays noyé. As this work can be read as an allegory of Belgian history, attention is drawn to the problem of Belgian identity and its formation process. Moreover the final remarks deal with the attitude of Willems to French language, reflected in his different dramatic writings.
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