This paper juxtaposes W.R. Bion’s psychoanalytic theory of psychosis with Dadaistic works of art. The aim of this juxtaposition is to enable the reader to better understand Bion’s theory of psychosis and to propose a new approach to Dadaistic work from the perspective of psychoanalytic theory. The works of art will illustrate basic psychotic mechanisms. It is a starting point for further elaboration of Bion’s theory of thinking and his view on subjectivity. At the same time an original approach towards Dadaistic works of art will be presented, based on psychoanalytic concepts of fragmentation and symbolic equation. Essential differences between creativity and madness will be emphasized.
This paper is a reflection on the concept of sign presented by Ferdinand de Saussure in juxtaposition with the psychoanalytic notion of container/contained, presented by Wilfred R. Bion. The basic question of this paper concerns the types of relationships between signified and signifier and the container/contained. It is suggested that psychoanalytic work of Bion allows for supplementing de Saussure’s perspective with a spatial aspect of penetration of the signifier by the signified. Juxtaposing these two models creates a new conceptualization of sign, in which one of its elements enters the other, thus creating meaning. In this new conceptualization, two significant areas emerge, which are not direct parts of the sign, but are positioned in its immediate neighbourhood. They are given the names of the insignifier (insignifiant) and insignified (insignifié).
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