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  1. 1 Forum Poetyki

  2. 1 Przestrzenie Teorii

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  1. 2 Englender B.

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  1. 1 2022

  2. 1 2019

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„Czy dotyka cię czas?” Foto-grafemiczność tekstu na podstawie utworu Tomasza Różyckiego Las tropikalny

100%
Englender B.
Forum Poetyki
|
2019
|
issue 17
41-51
EN
The paper is an attempt at analyzing the intertextual relations between literature and photography. In order to extract them, the notions of textual “photo-graphemicality” (understood as a number of features indicating similarities between a text and a photograph) and “photo-grapheme’ (their individual textual realization), inspired by Derridean “grammatological” categories. Their functioning in a poetic text is presented using the example of Las tropikalny by Tomasz Różycki.
PL
Tekst stanowi analizę intertekstualnych relacji łączących literaturę z fotografią. W celu ich wydobycia autorka proponuje wykorzystanie pojęć „foto-grafemiczności” tekstu (rozumianej jako zespół cech wskazujących na pokrewieństwo tekstu i fotografii) oraz „foto-grafemu” (będącego ich jednostkową tekstową realizacją), inspirowanych Derridiańskimi kategoriami „gramatologicznymi”. Sposób ich funkcjonowania w tekście poetyckim zaprezentowany zostaje na przykładzie wiersza Las tropikalny Tomasza Różyckiego.
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Na styku mediów, na styku technik. „Foto-grafia” klasyczna i cyfrowa w polskiej poezji najnowszej

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Englender B.
Przestrzenie Teorii
|
2022
|
issue 37
31-44
EN
The aim of this text is to present the literary image of the breakthrough that occurred with the invention of digital photography. The article focuses on the most contemporary Polish poetry – mainly authors born in the 70s, such as Jacek Dehnel, Marcin Świetlicki or Bronka Nowicka. On the basis of their texts, the literary image of both traditional analog photography and photos created with the use of the latest techniques is reconstructed. In her interpretations, the author uses the tools she has developed herself, which include concepts such as “photo-graphemicality”, which is a combination of features linking text with photography, and “photo-grapheme”, which is its individual realisation.
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