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„Jakiś psychiatra w Nowym Jorku”

100%
Kaszorek K.
Schulz/Forum
|
2016
|
issue 7
195-196
PL
In Strzępy wspomnień. Przyczynek do biografii zewnętrznej Brunona Schulza, Regina Silberner writes that the Polish-Jewish fiction writer Bruno Schulz exchanged correspondence with some psychiatrist from New York. The paper presents the latest findings concerning the life and work of Doctor Henry Joseph Wegrocki, the addressee of Schulz’s letter(s).
2
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Rocznik 2013

100%
Kaszorek K.
Schulz/Forum
|
2017
|
issue 9
36-36
PL
Every year, The Public Domain Review website publishes a photomontage of artists and writers whose works have just entered the public domain. The class of 2013 also includes Bruno Schulz.
3
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„Polish Kafka” w Ameryce, czyli co o Schulzu pisali pierwsi amerykańscy badacze jego twórczości

100%
Kaszorek K.
Schulz/Forum
|
2017
|
issue 9
PL
The paper focuses on first scholarly articles devoted to Schulz’s works that were published in American journals. Written by Henry Joseph Wegrocki in 1946, “Masochistic Motives in the Literary and Graphic Art of Bruno Schulz,” is a psychiatric analysis of masochism and its traces in Schulz’s short stories and drawings. Olga Lukashevich’s “Bruno Schulz’s ‘The Street of Crocodiles’. A Study in Creativity and Neurosis” (1968) suggests reading the first collection of short stories in the spirit of Otto Rank’s category of the artiste manqué. The last article, by Colleen M. Taylor, “Childhood Revisited: The Writings of Bruno Schulz” (1969), analyses the reasons why the writer leaves the real world behind to enter the world of childhood.
4
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Metoda analizy wizualnej dzieł Brunona Schulza w pracach Paola Caneppelego „La Repubblica dei Sogni” i „I Capelli della Cometa”

63%
Miceli B., Kaszorek K.
Schulz/Forum
|
2020
|
issue 15
241-247
PL
The reception of the works of Bruno Schulz in Italy has been growing wider and more diversified in the last few years. Among the examples of such a reception there are two essays by Paolo Caneppele: La Repubblica dei Sogni Bruno Schulz, Cinema e Arti Figurative tra Galizia e Vienna (The Republic of Dreams: Bruno Schulz, Cinema and Figurative Arts between Galicia and Vienna, 2004) and I Capelli della Cometa. Di Esseri in Fiamme, Catastrofi Varie e Donne in Bicicletta (The Hair of the Comet. Of Beings on Fire, Various Catastrophes and Women on the Bicycle, 2008). Caneppele, whose main research interest is in cinema, analyzes Schulz’s work through the lens of the visual, thus providing a theory according to which everything produced by him (prose and paintings) is influenced by the aspect of vision, color, and movement. The aim of this essay is not only to acknowledge this particular reception of Schulz in Italy (and in Austria as well, as Caneppele is the head of the film related material collection of the Austrian Film Museum in Vienna), but also to retrace the visual path embodying cinema, plastic arts, and fiction in his work, which is a strand of studies that can be furtherly expanded and explored.
5
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Motywy masochistyczne w prozie i rysunkach Brunona Schulza

63%
Wegrocki H. J., Kaszorek K.
Schulz/Forum
|
2016
|
issue 7
197-204
PL
The article by Doctor Henry Joseph Wegrocki was published for the first time in Psychoanalytic Review in 1946. It is a psychiatric analysis of masochistic motives that are present in the short stories and drawings by Bruno Schulz. In the text, one can discover a rough pencil sketch of a droshky drawn especially for Wegrocki and an excerpt from Schulz’s letter, in which he writes explanatory comments upon his creativeness and perversion. The paper presents the Polish translation of the text.
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