This paper focuses on the method of formation of a child narrator in texts Na slepačích krídlach by a Swiss writer with Slovak origin Irena Brežná and Biely kráľ by a Hungarian writer born in Romania György Dragomán. Child protagonist characters are often used to unmask the nature of society, the socialistic one in given texts, and to relativize the legitimacy of petrification of social and cultural norms.
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