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The article is an analysis of Ciało wiersza [The Body of the Poem], a poetic volume by Eugeniusz Tkaczyszyn-Dycki, in the light of psychoanalysis, somatopoetics and philosophy of the body. The author juxtaposes the category of the “body of the poem” with Jean-Luc Nancy’s Corpus. In this context he presents Ciało wiersza as a collection of texts describing the situation of a subject embodying the content of its psyche, transgressing and being on the verge of mental entropy or schizophrenia. Close to Freud’s cathartic method, Tkaczyszyn-Dycki treats the poem as a reservoir of psychogenic material and a projection instrument. The somatext, as embodied unconsciousness, analyzed through the prism of basic Freudian tools (defense mechanisms, regressive shifts), appears as a resultant of the dialectic of repression and the imperative of commemoration, which channels libidinal energy through imaginative displacements. Referring to the recurring leitmotifs of Tkaczyszyn-Dycki’s imagination in Ciało wiersza, the author traces how the poet reflects in the poetic text the workings of the psychic apparatus and the “multiple names” of schizophrenia.
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