The article is devoted to the phenomenon of swarming and its expression in modern technologies and art. The main focus of this work is a philosophical comprehension and interpretation of the performance Mind-Controlled Cyborgroach created by the Moscow art-group “18 Apples.” The author discusses the phenomenon of the uncanny as a manifestation of entomophobia and technophobia, and she explores the ontological questions of human and animal being and compares categories of “natural” and “human” technics. The article also focuses on the problem of the Other in the context of the basic tasks of bioethics.
The article addresses the issues of vegetal subjectivity, sexuality and corporeality in the context of soviet postanthropocentrism and critical posthumanism. The narrative focuses on the figure of hogweed which in Soviet times was designed to rebalance the post-war economy on a par with humans, but today has become an embodiment of trauma, a toxic monster to be destroyed. Referring to the negative consequences of soviet postanthropocentrism, flourished in the 1920s, in particular to the notion of political interpellation of the non-human and dehumanization of the human, the author considers today’s ferality of post-soviet territories as a special form of the sympoetic co-existence. Such kind of sympoesis of humans, animals, plants and other species connected by different economic, political and biological relationships implies the question about the need for affirmative biopolitics (Roberto Esposito) which accepts life in all its strange and unusual for the human eye manifestations. Similarly, the hogweed-an alien that burst from the non-ecological zone and violated the harmonious order of fl ora and fauna-represents an inverted ecocriticism that refers to the dark side of ecology and there, on the dark side, searches for sources of harmonization. The hogweed entails environmental thought, and is monstrously affirmative.
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