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Ramón Gómez de la Serna, El alma de los objetos. Minificciones

100%
Draus-Kłobucka A.
Itinerarios. Revista de estudios lingüísticos, literarios, históricos y antropológicos
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2020
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vol. 32
265-267
2

Juan Ramón como precursor de la minificción. Análisis del género de Cuentos largos

100%
Draus-Kłobucka A.
Estudios Hispánicos
|
2012
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vol. 20
47 - 57
EN
The work of Juan Ramón Jiménez exists in a world deprived of generic boundaries. The author explored the possibilities offered both by the verse and the prose. Thanks to the enormous efforts of the critics, we can appreciate now all of his writings. Among them we find with some surprise several texts that can be included in the anthologies of one of the most striking phenomena of the present time: the short short stories. In this paper we present a study of the stories from the volume Cuentos largos, based on the theoretical contributions of the experts of the flash fiction. The analysis of the formal aspects of these texts will allow concluding whether el Poeta Andaluz can be counted among the precursors of the short short stories.
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La ciudad guetoizada: Buenos Aires en la narrativa de Ana María Shua

100%
Draus-Kłobucka A.
Studia Romanica Posnaniensia
|
2022
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vol. 49
|
issue 1
17-31
EN
The article analyzes the image of Buenos Aires in the narrative of Ana María Shua, an Argentine writer of Polish Jewish descent. Urban space plays an important role in her prose described often as apocalyptic or dystopian. Through a historiographical metafiction, the author rewrites the memory of the ancestors in El libro de los recuerdos (2007), a novel that presents the life of Jewish immigrants in the capital of Argentina, divided into neighborhoods marked by their ethnicity. Eroticism and the use of the female body are, on the other hand, the topics that dominate in the author’s collection of micro-stories titled Casa de geishas (2009), where the brothel is described as a singular ghetto, rooted in the city panorama. Finally, the novel La muerte como efecto secundario offers a dystopic description of a future of a ghettoized city, where compulsory geriatric ghettos become a reality. The article, based on the analysis of the aforementioned works, presents a critical look at the use of the concept of “ghetto” or “urban island” in the construction of the narrative structure and space in Ana María Shua’s fiction.
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