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Odcieleśnione ciało w filmie Nakarmić kruki Carlosa Saury

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Kulessa K.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2019
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vol. 25
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issue 34
180-188
EN
This article aims at providing an analysis of Carlos Saura’s Cria Cuervos [Raise ravens, 1976], focused mainly on the temporal and spatial structures of the film. It explores the dimensions of bodily presence, especially the means of representing spectral body in cinematic image.
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Iluzje obecności. Cielesność w Bez końca Krzysztofa Kieślowskiego

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Kulessa K.
Przestrzenie Teorii
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2018
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issue 30
315-328
EN
This paper aims at providing an analysis of Krzysztof Kieślowski’s film No end (1984), focused mainly on representations of corporality. The article attempts to interpret possible meanings of the phantasmatic dimension of existence and its impact on the reality constructed in the film. It also examines issues related to identification and the articulation of sensuous presence in cinematic images.
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