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„Piekło” XX wieku – translacje wizualne poematu Dantego w ujęciu Roberta Rauschenberga

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Wakuła K.
Przegląd Humanistyczny
|
2016
|
vol. 60(1 (452))
131-146
PL
The aim of the text is to analyse Robert Rauschenberg’s illustrations for Dante’s Inferno as the examples of a correspondence between literature and visual arts. It also raises the issues of the mutual relation between a word and an image and the function of an illustration in a writing. In addition, two other polysemiotic artworks of American precursor of pop-art are discussed.
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