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Werkwinkel
|
2014
|
vol. 9
|
issue 2
119-134
EN
Centrality and marginality are important concepts in polysystem theory, and also in network theory. This article examines Olga Kirsch’s position in the Afrikaans literary system by taking into account data spanning from 1900 to 1978. Overall centrality is discussed from the perspective of network theory and related to polysystem theory, and the concept is also applied to the literary system through the use of the Fruchterman and Reingold (1991) force-directed layout algorithm. It is indicated that Kirsch is positioned on the edge of the core or in the semicore, mainly because there are not so many people from the core who had paid attention to her works, but also because she, according to this data set, did not write on the works of others. It is also indicated which important critics, literary scholars and literary historians paid attention to her works, which contributes to her not being positioned on the periphery.
EN
This paper entitled is devoted to the peripheral nature of Herta Müller’soeuvre. Müller is regarded as a person who created “German-language literature from thecultural periphery of the German linguistic area,” as the Italian Germanist Paola Bozzicalled it. It turns out that although the literature or anti-literature of the Germans ofRomania is located on the cultural periphery of the German language area, Herta Müller occupies a central place in German literature, mainly due to subject areas unknown to West-German readers, but also due to her extraordinary language, which is a conglomerate of her idiolect, the archaic character of the German language used, the Banat-Swabian dialect and word-images from the Romanian language. The research, which is carried out from a mental, expressive, and cultural perspective, also focuses on the issue of embedding translation in a polysystem that embraces translation as an interrelated system of culture, language, literature, and society.
CS
Tento příspěvek s názvem „Herta Müllerová ‒ autorka z periferie, implikace pro překlad do češtiny“ je věnován periferní povaze díla Herty Müllerové, která vyrostla a vytvořila „německou literaturu z kulturní periferie německojazyčné oblasti“, jak to uchopila italská germanistka Paola Bozzi. Ukazuje se, že ačkoli se literatura nebo antiliteratura rumunských Němců nachází na kulturní periferii německojazyčné oblasti, Herta Müllerová zaujímá ústřední místo v německé literatuře, hlavně kvůli tématickým oblastem neznámým pro západoněmecké čtenáře, ale také kvůli svému výjimečnému jazyku, který je konglomerátem jejího idioleku, archaického charakteru její němčiny, banátsko-švábského dialektu a slovních obrázků z rumunského jazyka. Výzkum, který je proveden z mentálního, expresivního a kulturního hlediska, se zaměřuje také na otázku zabudování překladu do polysystému, který zahrnuje překlad jako vzájemně propojený systém kultury, jazyka, literatury a společnosti.
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