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EN
The article is concerned with a monograph that discusses the presence of symbols and allegories in Cyprian Norwid’s works. It is an important work raising a theme that is fundamental for modern studies of the poet. The studies gathered in the volume try to answer the question if Norwid is more of a continuator of Romantic literature, or rather he predicts literary trends characteristic of the beginning of the 20th century.
PL
The second half of the XVIIIth century contributed to a radical change in the cultural relationship with the past. Historicism, understood as the widespread method of conceptualization of human inventions, appeared not only in historiography, but also marked its presence in literature, philosophy, architecture and art. The aim of this article is to explore some of the outlooks on the connection between historicism and classical antiquity in the works of Winckelmann, Humboldt and Schlegel, important German thinkers with a significant impact on Polish literature and culture.
Pamiętnik Literacki
|
2014
|
vol. 105
|
issue 2
184-191
EN
The review discusses Magdalena Siwiec’s book which refers to Alfred de Musset’s and Juliusz Słowacki’s romantic poetry. It is the poetry which is understood as a record of human, language, and literature experiencing a crisis. A poet’s attitude to the source of inspiration is made the main theme of Siwiec’s study, and considering such definition of the subject of research also to the literary tradition as well as to the poets most powerfully influencing others.
PL
Recenzja omawia książkę Magdaleny Siwiec dotyczącą poezji romantycznej Alfreda de Musseta i Juliusza Słowackiego. Takiej poezji, która jest rozumiana jako zapis doświadczenia kryzysu człowieka, języka i literatury. Głównym tematem pracy stał się stosunek poety do źródła natchnienia, a w wyniku takiego zdefiniowania przedmiotu badań także stosunek do literackiej tradycji i do poetów o największej mocy oddziaływania na innych.
EN
Plutarch, beside Homer, Socrates and Alexander the Great, was one of the important figures in Norwid’s intellectual and artistic biography. Apart from Herodotus he was the main source of Norwid’s knowledge of Greek history and culture. Norwid’s readings are also inscribed in the reception of Plutarch by the French language readers, as he read his works in Amyot’s translation of the beginning of the 19th century that was so important for French literature. The significance of Plutarch for Norwid’s works is particularly well seen when the influence of the Greek historian is considered on writing the poem Epimenides and the drama Cleopatra and Ceasar. Both these works are a proof that he intensively and creatively thought over some of the Parallel Lives, that he treated as sources of historical and cultural knowledge.
6
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Hegel, Lelewel i rewolucje

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EN
This article examines the problems facing a comparative study of the reception of the idea of revolution in some selected writings of G.W.F. Hegel and Joachim Lelewel. Paying due attention to the specificity of the philosophical and historical approach, the article analyses the similarities and differences in Hegel's and Lelewel's appraisals of the revolutionary legacy. It also brings to light a misrepresentation of Lelewel's take on the subject in the German translation of his writings. That said, Hegel's thought remains of vital importance for both Lelewel, who is not convinced by it, and his translator H.J. Handschuch, who eagerly embraces it.
7
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O Norwidowskim Sokratesie

100%
EN
The article is a review of Tomasz Mackiewicz’s book devoted to the figure and activities of Socrates in Norwid’s work. Mackiewicz’s book takes up an extremely important issue in the studies of the poet’s work. It has been present in the tradition of studies for many decades and Mackiewicz’s publication surely opens a new chapter in the reflection over Norwid. It is the more so because Norwid’s Socratism is concerned with so important problems as: Socrates’ irony, maieutics and poetry, self-creations and biographic myth-making, moral duties of poetry.
EN
Plutarch, beside Homer, Socrates and Alexander the Great, was one of the important figures in Norwid’s intellectual and artistic biography. Apart from Herodotus he was the main source of Norwid’s knowledge of Greek history and culture. Norwid’s readings are also inscribed in the reception of Plutarch by the French language readers, as he read his works in Amyot’s translation of the beginning of the 19th century that was so important for French literature. The significance of Plutarch for Norwid’s works is particularly well seen when the influence of the Greek historian is considered on writing the poem Epimenides and the drama Cleopatra and Ceasar. Both these works are a proof that he intensively and creatively thought over some of the Parallel Lives, that he treated as sources of historical and cultural knowledge.
EN
The article describes two accounts of Poland and the culture of its people. The first of these dates from 1784 and was written by the Marquis de Ségur, a French diplomat travelling to St Petersburg. The second, from 1840, was written by the Polish poet Adam Mickiewicz, at the time working as a professor at the Collège de France in Paris. I try to show the most important differences between the Enlightenment and Romantic images of Poland. An important context is provided by Larry Wolff’s monograph, which 30 years ago initiated a new phase in research on the European invention of Eastern Europe.
EN
The article is concerned with a monograph that discusses the presence of symbols and allegories in Cyprian Norwid's works. It is an important work raising a theme that is fundamental for modern studies of the poet. The studies gathered in the volume try to answer the question if Norwid is more of a continuator of Romantic literature, or rather he predicts literary trends characteristic of the beginning of the 20th century.
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