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Translatorskie losy pieśni Horacego „Ad Lydiam meretricem”

100%
Łuka A.
Między Oryginałem a Przekładem
|
2014
|
vol. 26
79-100
EN
The role of Horace in the history of European literature is obvious and tremendous, his works were paraphrased and translated by many authors (e. g. by B. Jonson, H. Tournier, J. H. Voss, E. Mörike, Fr. Gehlen, E. Geibel, M. Radnóti, and in Poland by L. H. Morstin, T. F. Hahn, S. Gołębiowski, A. Lam). His carmen “Ad Lydiam” (Carmina III 9) is Horace’s only ode composed as a dialogue. Translations of this ode are numerous and various, usually rhymed or rhythmic, occasionally isometric. Among the authors of the latter ones German translators excel; German as a language of quantity is ideal to show Horace’s metrical pattern both by keeping a fixed number of syllables (8 in every odd, 12 in every even verse) and the arrangement of stressed and unstressed elements. There are no Polish isometric translations of ode III 9, as they usually sound unnaturally or even oddly (from the 16th century onward Polish is not a language of quantity any more). In recent years excellent isometric translations of odes composed in the Second Asclepiadean were written by E. Buszewicz (Horacy, Carm. I 13; Sarbiewski, Lyr. I 19 and III 2). Isometric translation of Horace’s ode III 9 by a Hungarian poet Moklós Radnóti was in turn used by Ferenc Sebő as the lyrics of a song entitled “Lydiához”. The music of the song was then used by the Polish band Brathanki, although lyrics by Z. Książek do not refer to Horace’s Latin original. There is, however, something interesting about it: because of the fact, that the lyrics were written for already composed music, the vocalists of the band unknowingly sing the rythm of the ancient Second Asclepiadean II. The author of a paper presents her own isometric translation of carmen “Ad Lydiam” into Polish.
2

De perfecta poesi Macieja Kazimierza Sarbiewskiego w perspektywie współczesnych teorii narracji

81%
Lipiński Ł.
Meluzyna. Dawna Literatura i Kultura
|
2014
|
vol. 1
49-64
EN
This article is an interpretation of De perfecta poesi by Maciej Kazimierz Sarbiewski (1595–1640, Polish Jesuit, Latin poet), based on the contemporary narrative theories. The source of a parallel between the 17th century work by Sarbiewski and the 20th century theories on narrative (mainly the structuralist narrative) can be found in Aristotle’s Poetics. De perfecta poesi as well as works created by French structuralists were based on the logocentrism and thus being connected with each other, despite the chronological differences. The similarities are not only general, but also more detailed. However, it does not mean that De perfecta poesi and 20th century theories are the same. There are some disparities that do not allow to compare the work by Sarbiewski and narrative theories too closely.
3
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Poetyka konceptu Macieja Kazimierza Sarbiewskiego w kręgu historii idei

44%
Kołos A.
Forum Poetyki
|
2017
|
issue 7
6-17
EN
The theoretical writings of Maciej Kazimierz Sarbiewski have provided a constant focal point of scholarly interest, most often in the context of the study of problems relating to poetry’s concepts and aesthetics, the Christianization of antiquity, or the imitation of Horace. The multifaceted thought of this author, who belonged to a transitional intellectual formation in the history of European thought, can and should nonetheless likewise inspire studies in terms of the history of ideas, which place the object of knowledge at the intersection of artificially separated areas of knowledge. Sarbiewski’s treatise De acuto et arguto, devoted to his conceptist structure of the epigram, represents not only an enunciation of baroque literary theory, but also, read in dialogue with his other writings, reveals a consistent cosmological vision of reality.
PL
Twórczość teoretyczna Macieja Kazimierza Sarbiewskiego, cieszy się stałym zainteresowaniem badaczy, którzy najwięcej uwagi poświęcają problematyce koncepcji i estetyki poezji, chrystianizacji antyku czy imitacji horacjańskiej. Wieloaspektowa refleksja autora przynależącego do „przejściowej” formacji intelektualnej w dziejach europejskiej myśli zachęca jednak równie silnie do studiów z zakresu historii idei, które sytuują przedmiot poznania na styku zautonomizowanych dziedzin nauki. Traktat De acuto et arguto poświęcony konceptycznej strukturze epigramatu, stanowi nie tylko świadectwo barokowej teorii literatury, lecz również, czytany w dialogu z innymi pismami Sarbiewskiego, odsłania konsekwentną kosmologię rzeczywistości.
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