Search results

1

Парадигмы жизни и творчества Тараса Шевченко и Михаила Лермонтова: попытка конфронтативного психобиографического анализа (в 205-ую годовщину со дня рождения поэтов)

100%

Betko I.

Acta Neophilologica

|

2019

|

vol. XXI/2

217-228

EN

Comparative studies devoted to the work of Taras Shevchenko and Mikhail Lermontov began in the 1920s. However, there are still many unresolved problems in this area. An attempt at a comparative psychological-biographical analysis makes it possible to identify the exclusive spiritual kinship of the two poets.

2

Символика снов и сновидений в контексте интимной психодрамы Тараса Шевченко (попытка архетипического анализа)

80%

Betko I.

Acta Neophilologica

|

2022

|

vol. 1

|

issue XXIV

149-162

EN

The motifs of dreams appear in all literary works written by Taras Shevchenko. They are present, for example, in several lyric poems and fragments of Journal, reflecting important moments in the poet’s intimate psychodrama. The archetypal analysis of their psycho-symbolic content allows one to reveal the specificities of the poet’s inner life, as well as to trace the patterns of animatic projections of his individual unconscious into external reality.

3

Transcending Linguistic and Cultural Boundaries: A Story of Friendship Between Ira Aldridge (1807–1867) and Taras Shevchenko (1814–1861)

80%

Kujawińska-Courtney K.

Anglica. An International Journal of English Studies

|

2015

|

issue 24/1

7-18

EN

The text presents the unique friendship between Ira Aldridge (1807–1867), the first Africa–American tragedian and Taras Shevchenko (1814–1861), Ukrainian artist, poet and painter. They met for a short time in 1858, when Aldridge came to St Petersburg to play Shakespeare with a German troupe. Since their lives’ experiences were similar – Aldridge suffered from racial discrimination, while Shevchenko was born as a serf – their friendship was instantaneous. Shevchenko appreciated Aldridge’s theatrical skills and Aldridge highly valued Shevchenko’s art. Aldridge’s portrait painted by Shevchenko is a memento of their meetings and friendship and is exhibited in the Moscow Tretiakov Gallery.

4

Християнський кордоцентризм Тараса Шевченка

80%

Bigun O.

Przegląd Wschodnioeuropejski

|

2020

|

vol. 1

241-250

EN

The article deals with adoption of Christian tradition in poetry of Taras Shevchenko. Theoretical basis includes methodological principles of hermeneutics, the philosophicoaesthetic approach to art, cross-cultural methods. On the one hand, the sources of the creative components by Shevchenko’s ethics and aesthetics are related in Christian tradition. On the other hand, as a result of cordocentrist intention of the Ukrainian ethnos, Christian canon was deprived of the big part of rigorism in Old-Kyiv period. Shevchenko’s aesthetic theology is insufficiently investigated but it characterizes the absence of stark categories, dogmas and rituals. It gives an opportunity to speak about the apophatic approach in Shevchenko’s dialectic of God-seeking which appears in the apophatic approach of individual style which also you can find in Old Kyivan authors’ works. The outcome of our investigation proves that the Shevchenko’s adoption of Christian tradition shows the priority of aesthetic and cultural landmarks of Kyiv Christianity.

5

Мифо-архетипические мотивы психобиографии Тараса Шевченко

80%

Betko I.

Acta Neophilologica

|

2021

|

vol. XXIII/1

157-170

EN

The study of various aspects of the symbolic biography of Taras Shevchenko is a contemporary direction of modern Ukrainian literary criticism. This article analyzes the mythological and archetypal motifs in Great Mother. They played a special role in the life and work of the poet, who never made up for the slave and orphan complexes. The strategy of symbolic-biographical analysis significantly expands the psychoanalytic context of the study.

6

УКРАЇНСЬКА МОВНА ОСОБИСТІСТЬ ТАРАСА ШЕВЧЕНКА ЯК ЧИННИК КОМПЕТЕНТНІСНО ОРІЄНТОВАНОЇ ПРОФЕСІЙНОЇ ПІДГОТОВКИ УКРАЇНСЬКИХ ФІЛОЛОГІВ

70%

Мацько Л.

Педагогічні науки: теорія, історія, інноваційні технології

|

2014

|

issue 6(40)

381-394

EN

The problem of conceptual and stylistic analysis of Taras Shevchenko poetry as an elite strong linguistic Ukrainian personality is described in the article. This approach can be used in the formation of Ukrainian language competence. It is stressed that the phenomenon of Taras Shevchenko’s genius is still not deciphered, it encourages researchers to a new reading of the creativity of his talents, in-depth understanding of his role as a prominent figure of Ukrainian literature and language, culture, history, and philosophy, because Taras Shevchenko was not only the founder of modern Ukrainian literature and literary language, which is still called modern, but was also a great defender of the idea of national revival of everything Slavic, was ready to stand up for each person of any nationality who does good to other people. The general notion of lexeme-ethnonym Ukraine that arises from Taras Shevchenko’s poetic language creativity is a concept (logical constant), and also word images, discourses and texts, in which it is referred to. Therefore, Ukraine is a key dominant of the poet’s language consciousness and structural-art paradigm of his poetry that reveals the deeper meaning of the poetic attitude, perception and worldview. As the meaningful core of Ukraine the concept of Ukraine is the syncretic polysyllabic word image – the carrier of historiosophical, natiosophical signs of ethnicity and historical and cultural memory. In this semantically versatile word image appears Ukraine in Taras Shevchenko’s works, in conjunction with his political, religious, moral, ethical and aesthetic views, intellectual evolution in the course of life. Taras Shevchenko consciously treated the creation of the new Ukrainian literature and language. His art works, paintings, diaries and letters show that he had studied all his life and anywhere he was, he willingly communicated with intelligent and decent people, regardless of nationality, especially with educated countrymen. He was looking for a spark of God that will develop cultural forces to the future liberation of Ukrainian people. He used his visits to Ukraine to meet personally with writers, scientists, known landowners, industrialists, to recall the past glory, the modern troubles and needs of conscious reasonable work for the future benefit of Ukraine.

7

The Symbolic and Allegorical Parallel “Kiev – Jerusalem” in Taras Shevchenko’s Writing

70%

Bigun O. g.

Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education

|

2013

|

issue 2(2)

85-96

EN

This article is a part of the bigger work entitled The Ambivalence of Byzantism in Taras Shevchenko’s Writings. The aim of the article is studying the problem of perception and interpretation of the mytheme of Jerusalem in the works by Taras Shevchenko. The crosscultural, semiotic, hermeneutic and comparative analyses allow for discovering deep semantic levels of the “Jerusalem” loci in the works by T. Shevchenko, for clearing out its subtexts and for defining its poetic structure and the levels of the artistic interpretation. In the result of the analyses it has been found that the association “Kiev–Jerusalem” in the works by Shevchenko has its loci of various meanings, which have been formed in the course of a long trajectory within the historic space. The mytheme “Jerusalem” is realized primarily in its Biblical and genetic aspect. The contents of the “Jerusalem idea” proves Shevchenko’s solid knowledge of the Old Testament dogmas in the field of the Judaic history and culture. The resemblance of/between Kiev and Jerusalem is formed on the basis of [the] allegories, the poetical means aiming at the context reading with regard to the urgent social and historic reality. Introducing the mytheme “Jerusalem” into a discourse of fiction, T. Shevchenko accounts for actualization/transposition of its Biblical semantic field/range unto the social, political, cultural and spiritual needs of the epoch. The image of Kiev in Shevchenko’s works has strong sacred characteristics/connotations which indirectly correlate with Christian viewpoints. The importance of Kiev as the spiritual habitable globe is underlined by frequent recollections about numeruous temples, monasteries, saints, monks, icons, pilgrimage traditions, etc. The results of the research can be used for courses in the Ukrainian History of Literature and Theory, for text-books and training aids, for further comparative studies of Shevchenko’s works. The results of the study are addressed to philologists and researchers of the Ukrainian literature. The academic novelty of this article lies in the fact that the mytheme “Jerusalem” in Shevchenko’s works has for the first time become the object of individual research and that theoretic aspects and comparative typological levels of this problem have been elaborated.

8

Between the past and the future: Mass Rallies as the staging of the Ukrainian National Project (1911–1914)

70%

Dudko O.

Roczniki Dziejów Społecznych i Gospodarczych

|

2013

|

vol. 73

PL

Between the past and the future: Mass Rallies as the staging of the Ukrainian National Project (1911–1914) (Summary)In this paper the internal interactions between the Ukrainian political groups are analyzed. Two rallies, commemorating the great Ukrainian poet, Taras Shevchenko, serve as a lens through which to observe the complex nature of the “Ukrainian national project.” When looking at the Ukrainian rallies of 1911 and 1914, specific focus is paid to the internal and external factors which led to the restructuring of the Ukrainian national project. In particular, the paper focuses on the organization, structure, and contexts of these commemorative events, as well as the organizers and people attending them. The analysis is centered of their political views, socio-economic background, age, gender, and education, thus allowing the author to trace the appearance of new symbols, new ways of using public spaces in the city, the dissemination of rituals and, finally, to comment on how these new approaches shaped the commemorative landscape in general. The author argues that to understand the polical interraction and transition of the Ukrainian narrative from cultural nationalism to military nationalism, three interwoven elements should be taken into consideration: the revision of the Taras Shevchenko cult; the creation of a new historical narrative and the new approach to public space, used as a stage for national ideas.

9

„Ксьондзи-єзуїти” в унійному проєкті та романтичному міті

61%

Isichenko I.

Studia Polsko-Ukraińskie

|

2022

|

vol. 9

39-53

EN

The reception of relations between the Orthodox and Catholic Churches by the Ukrainian national consciousness was largely formed by a romantic myth. It appeared in the works by Taras Shevchenko, in the documents of the the Brotherhood of Saints Cyril and Methodius. According to this myth, the Church Union of Brest (1596) was the result of the colonial policy of the Polish government and the intrigues of the Jesuit priests. In fact, the influence of the royal administration on the religious life of the inhabitants of the Polish-Lithuanian state was extremely limited. „Henrician Articles” of 1573 forced the king to adhere to religious tolerance and to recognize the nobility’s right to free choice of religion. The Roman Catholic clergy, for the most part, did not want to grant Christians the Eastern rite of parity. The Society of Jesus, which formed a separate province in the Polish-Lithuanian Commonwealth in 1574, was guided not by political but by religious motives. Benedict Herbest (1531–1598) already in his work „Wypisanie drogi” („The Desribing of The Way”, 1566) discusses the prospect of restoring unity with the Orthodox Ruthenians. In the book „Wiary Kościołu Rzymskiego wywody” („The Arguments of the Roman Church’ Belief”) he explains Ruthenia’s departure from unity with Rome by lack of education and low religious consciousness. Piotr Skarga (1536–1612) wrote the book „O jedności Kościoła Bożego” („About the God’s Church’s Unity”, 1577), when he had not great authority in the Church and when he was little known in society. At the Brest synod in 1596 Skarga was not a participant and organizer, but only an observer and chronicler. Both Herbest and Skarga were only inflammatory polemicists who responded to the challenge of the Reform by calling for the consolidation of the Church in a single organism. The romantic myth is refuted by a closer acquaintance with their works and life experience.

10

Ukrainian model of thinking in Taras Shevchenko’s story “Naimychka”

61%

Fan R.

Studia Polsko-Ukraińskie

|

2022

|

vol. 9

79-87

EN

The article is devoted to the analysis of the thinking model in the story “Naimyсhka”. It is emphasized on the strong Ukrainian national features of this model and their representation in the ideological and thematic spectrum, the system of images, numerous Ukrainianisms in the Russian language of the work, the description of folk customs, traditions, rites, travel notes introduced into the text. Each factor is analyzed in this paper. It is highlighted the Ukrainian perception of life by the heroes of the story, their expressed national mentality.

11

Діалог культур: роль поезії Тараса Шевченка в процесі становлення новоболгарської літератури другої половини ХІХ ст.

61%

Piskizhova V.

Міжнародні зв’язки України: наукові пошуки і знахідки

|

2016

|

issue 25

EN

The article is about important historical and theoretical aspects of international interaction in Humanitarian sphere on the example of reception of Taras Shevchenko's poetry in new Bulgarian literature in the second half of the nineteenth century. The article studies the impact that the poetry by an outstanding Ukrainian author had on the creative works created by a constellation of the first Bulgarian professional men of letters, in particular Rayko Zhinzifov, Lyuben Karavelov, Petko Slaveykov and Ivan Vazov. They considered this poetry as an example to follow and a basis for improving their own literary art. The attention is paid to the translation practice of these authors rendering the poetic heritage of Taras Shevchenko accessible for the wide Bulgarian reading public then. At the same time, the article covers the origins of Shevchenko studies in Ukraine and Bulgaria.

12

Aspekty intymnej biografii Tarasa Szewczenki w zwierciadle jungowskiej psychologii analitycznej

61%

Betko I.

Acta Neophilologica

|

2023

|

vol. XXV/1

9-21

EN

The article attempts to analyze the causes of Taras Szevchenko’s loneliness in his personal life through the scientific apparatus of Carl Gustav Jung’s analytical psychology. The dynamics of the processes that took place in the inner spheres of the poet’s soul, struggling throughout his life with the trauma of orphanhood, shows that it was the mother complex that largely conditioned his complicated relations with women. Exploring various aspects of the poet’s intimate biography, including content from the areas of the individual unconscious, allows researchers to overcome the one-side perception of his character and creative legacy, which, until recently, was limited to mostly historical-literary and social-political interpretations. The study of Shevchenko’s phenomenon provides for a comprehensive approach, taking into account, among other things, suppressed (unconscious) motives for his actions, creative impulses and unrealized plans.

13

Дискурс свободы в прозе Тарасa Шевченко

57%

Potsyurko O.

Studia Warmińskie

|

2015

|

issue 52

107-117

PL

W artykule omówiono wizję wolności, jaka wyłania się z opowiadań, pamiętników i listów Tarasa Szewczenki. Na podstawie przeprowadzonych badań autor dochodzi do wniosku, że idea wolności jawi się jako kluczowa w twórczości T. Szewczenki. Autor dowodzi także, że pojęcie wolności w spuściźnie T. Szewczenki jest skorelowane z ideą godności człowieka oraz jest nierozerwalnie powiązane z tradycją chrześcijańską. T. Szewczenko, zdaniem autora, zwłaszcza tragiczne losy wędrownych liryków (Kobziarzy) postrzegał jako przykład ludzkich zmagań o wolność.

EN

This article features the idea of freedom in the interpretation of stories, diaries and letters according of Shevchenko. His position proved that all the characters in their own kobzar choose freedom of expression, struggling for “sacred right” to freedom, justice and happiness. He proved that the concept of freedom of the writer, as a manifestation of the absolute dignity and the free activity of self–expression correlates with the notion of human goodness, love, and mercy, which derived from his Christian faith. The tragic fate of kobzar is an example embodiment of the eternal ideals of freedom.

DE

Der Artikel bespricht die Merkmale der Idee von Freiheit durch die Interpretation der Geschichten, Tagebücher und Briefe von Shevchenko. Seine Position beweist, dass alle Werke zur Meinungsfreiheit drängen und für heilige Freiheitsrechte, Gerechtigkeit und Glück kämpfen. Der Verfasser beweist, dass der Begriff der Freiheit als eine Manifestation der absoluten Würde und der freien Tätigkeit der Selbstdarstellung mit dem Begriff der menschlichen Güte, Liebe und Barmherzigkeit korreliert und seine Quelle in seinem christlichen Glauben hat. Das tragische Schicksal von Kobzar ist ein Beispiel der ewigen Ideale der Freiheit.

14

Християнські архетипи у творчості Тараса Шевченка

51%

Bigun O.

Przegląd Wschodnioeuropejski

|

2023

|

vol. 1

191-201

EN

The assimilation of Byzantine culture in the Slavic lands was accompanied by the exegesis of the New Testament and the formation of the phenomenal value of symbolic images, which were part of the literary and artistic consciousness of that time. The force field of Christian archetypes has preserved a long tradition in the Ukrainian literature. Christian archetypes of the Resurrection and the Crucifixion in Shevchenko’s painting and literary work are studied with modern approaches to comparative literature and theological exegesis, taking into account artistic Christology, philosophical and aesthetic approach to art, and key ideas of archetypal interpretation. It is found out that, in Shevchenko’s poetry, the archetypes of the Resurrection and the Crucifixion are manifested in a number of modifications, where resurrection / crucifixion has a symbolic meaning in the sense of the resurrection / crucifixion of Ukraine, the resurrection / crucifixion of the people, the resurrection / crucifixion of a lyrical hero, etc. In painting, Christian archetypes are directly related to the transmission of the New Testament history.

15

Діарист як творець документальної медіації

51%

Bovsunivska T.

Studia Polsko-Ukraińskie

|

2021

|

vol. 8

61-68

EN

The paper is devoted to the study of mediation and mediators in ego-documentary prose. The are nine possibilities of mediation formation in the diary (Taras Shevchenko’s “Diary” is taken as a sample): 1) by means of memories, 2) as dictated by heart, 3) by means of emotional temporitum, 4) through the actualization of personalities, 5) as an imitation of the previous genre form, 6) as revision of the past, 7) in dreams, 8) by means of language expression, 9) by using the Bible. Shevchenko’s journal is characterized by the movement of everyday life to the realm of the transcendent. If in the literature of Romanticism the mediators are usually located in the transcendent, then in Shevchenko to this classical landmark of the Romantics is added everyday life as dreamed and transcendent.

16

ФОРМУВАННЯ РОДИННИХ ЦІННОСТЕЙ У СТАРШОКЛАСНИКІВ ПІД ЧАС ВИВЧЕННЯ ПОЕЗІЇ ТАРАСА ШЕВЧЕНКА

51%

Захарова В.

Педагогічні науки: теорія, історія, інноваційні технології

|

2015

|

issue 3(47)

267-276

EN

The aim of the paper is to propose text analysis techniques that contribute to the perceived mastering of the family values educational traditions on the part of the pupils by the example of Taras Shevchenko works. An emphasis will be placed on psychological and pedagogical peculiarities of perception by the ninth form pupils of Kobzar’s literary works devoted to the family issues. The methods of the research. In the process of the text analysis, the elements of receptive aesthetics and phenomenological critics are used. The paper deals with the educational influence of family ideals on senior pupils’ moral values formation in Taras Shevchenko’s poetic heritage. Attention is given to a woman’s ideal, presented in Kobzar’s poems in the images of a mother, a wife and that of a girl. The analysis of the poems with priority on family values that form common to all mankind ideals has been conducted. An accent is made on the objective, set in front of a philologist, who should be a highly qualified teacher, hence he should diverge from the stereotypes and give a comprehensive image of the Ukrainian family, presented in the poetry by T. Shevchenko. The techniques of the poetic text analysis, contributing to the perceived mastering by the pupils of the family values of educational traditions are offered. Special accent is made on psychological and pedagogical peculiarities of the ninth form pupils’ perception of Kobzar’s literary works, devoted to the family issues. The outcomes of the conducted scientific research allow to state that while analyzing family ideals in the poems by Kobzar at the Literature lesson, it is relevant for a teacher to implement the principles that provide studying the figure of a writer at school. In particular, contemporary methodologist G. Tokman’ offers implementation of such principles as historicism, aestheticism, existentialism, unity of life and creative development of a writer. In order to make Ukrainian Literature lesson consistent, well-organized and effective, a philologist will appeal to not less important Christian ideal in the poetic heritage of T. Shevchenko, introduced by Ukraine in the image of a mother. Practical value of the research lies in given methodological recommendations to the teacher of Literature that can be effectively implemented in the process of working with poetical texts. Conclusions and prospects for further scientific studies. Analyzed poetic heritage of T. Shevchenko represents the analysis of the family values in combination with Christian ideals. In the process of conducting the research, the major family images implemented by the author are ascertained; their proper interpretation in the scope of Christian virtues is given. Assumption of the family concept that is considered to be the leading topic in all poetic works of the writer has been made. The paper deals with the particular aspect of Taras Shevchenko’s poetic heritage, consequently with only one image – family values – that in further investigations requires profound research and enlargement of thematic groups.

17

Образ автора у щоденнику та повістях Тараса Шевченка: еволюція розуміння

51%

Pakharenko V.

Studia Polsko-Ukraińskie

|

2020

|

vol. 7

38-58

XX

In his article, Vasyl Pakharenko explores the logic of deepening literary interpretations of Taras Shevchenko’s image in the prose of the artist and discovers the differences of this image in poetry and prose. If the lyrical hero of the poetic texts demonstrates a determined, uncompromising nationalism, then the narrator in the diary and short stories is rather a territorial patriot. And yet, he thinks of himself as located in the socio-cultural space of the Russian Empire, expresses critical views on the Koliivshchina, resorts to the Russian language, emphasises Enlightenment values, and demonstrates the masculine type of writing. All this testifies to the deviation from the romantic to the previous, classicist, tradition. That type of prose refinement is caused by the forced compromise of the artist with the empire in the conditions of brutal terror during the exile. There are several interpretations of such a position of an author in literary studies: Shevchenko’s diplomatic attempt to re-educate liberal Russian and Ukrainian intelligentsia (P. Zaitsev), psychological dualism of the “adapted” and “unadapted” personalities of the writer (G. Grabovich), distinctive forms of expression of the holistic image of the author (V. Smilyancka). Each of these positions has its own logic, but is characterised by a certain one-sidedness. The nature of Shevchenko’s compromise becomes clear if we take into account the peculiarities of carnival tactics of the spiritual survival of the artist in the conditions of the world. This is a creation of a kind of author’s mask, a game with stereotypes of the dominant culture and public consciousness.

18

Taras Shevchenko as Sacrum of Maidan: on values during the revolution

41%

Labashchuk O.

|

2014

|

vol. 12

|

issue (2)23

245-256

EN

During the Ukrainian Revolution of Dignity the reassessment of social and cultural values is taking place . The current president, the government, the law enforcement agencies are subjected to pillory and humiliation by means of mass culture. At the same time, a new sakrum , i.e. symbols and values that embody the revolutionary ideals , is formed . One of the main symbols of the Ukrainian Revolution of Dignity is the Ukrainian poet Taras Shevchenko. Protesters use the portrait of Shevchenko and the poetic lines from his book “Kobzar”.The image of Shevchenko is sacralized , his poetry takes the function s of the Holy Script, the poet is seen as our contemporary. The f orm s of transference of the revolutionary creativity are posters, videos , which are broadcast in electronic form, as well as graffiti on the cities’ streets.

Refine search results

Символика снов и сновидений в контексте интимной психодрамы Тараса Шевченко (попытка архетипического анализа)

Transcending Linguistic and Cultural Boundaries: A Story of Friendship Between Ira Aldridge (1807–1867) and Taras Shevchenko (1814–1861)

Християнський кордоцентризм Тараса Шевченка

Мифо-архетипические мотивы психобиографии Тараса Шевченко

УКРАЇНСЬКА МОВНА ОСОБИСТІСТЬ ТАРАСА ШЕВЧЕНКА ЯК ЧИННИК КОМПЕТЕНТНІСНО ОРІЄНТОВАНОЇ ПРОФЕСІЙНОЇ ПІДГОТОВКИ УКРАЇНСЬКИХ ФІЛОЛОГІВ

The Symbolic and Allegorical Parallel “Kiev – Jerusalem” in Taras Shevchenko’s Writing

Between the past and the future: Mass Rallies as the staging of the Ukrainian National Project (1911–1914)

„Ксьондзи-єзуїти” в унійному проєкті та романтичному міті

Ukrainian model of thinking in Taras Shevchenko’s story “Naimychka”

Діалог культур: роль поезії Тараса Шевченка в процесі становлення новоболгарської літератури другої половини ХІХ ст.

Aspekty intymnej biografii Tarasa Szewczenki w zwierciadle jungowskiej psychologii analitycznej

Дискурс свободы в прозе Тарасa Шевченко

Християнські архетипи у творчості Тараса Шевченка

Діарист як творець документальної медіації

ФОРМУВАННЯ РОДИННИХ ЦІННОСТЕЙ У СТАРШОКЛАСНИКІВ ПІД ЧАС ВИВЧЕННЯ ПОЕЗІЇ ТАРАСА ШЕВЧЕНКА

Образ автора у щоденнику та повістях Тараса Шевченка: еволюція розуміння

Taras Shevchenko as Sacrum of Maidan: on values during the revolution