Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 5

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  commercials
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

Vom Vital-Macher zum Frische-Flirt. Strukturtypen der werbetauglichen deutschen Komposita und deren polnischer Entsprechungen

100%
Golonka J.
Germanica Wratislaviensia
|
2011
|
vol. 134
117-129
EN
Values are the most important aspect of any advertising message. Compounds (both nouns and adjectives) are a very effective means to express values (related to the advantages of a product). This, however, pertains only with respect to the German language. Therefore, the investigation starts with German structural patterns that are to be found in compounds in German commercials. In Polish advertising compounds are much rarer, so only a few Polish examples will be given for each pattern.
2

The Trap Of Stereotypes In Romanian Commercials Involving Seniors

75%
EMANDI E. M.
Gender Studies
|
2014
|
vol. 13
|
issue 1
152-162
EN
This work is intended to highlight from a semio-stylistic point of view the way in which older people are portrayed in Romanian commercials. The gender dimension is enmeshed with the interesting issue of national features in connection with such stereotypes.
3

Evolution of Commercials Featuring Para Athletes: From Friend Next Door to Equal Sports Stars

75%
Macková V., Turková K., Němcová T. A.
Communication Today
|
2024
|
vol. 15
|
issue 1
32-49
EN
This article analyses how Para athletes were presented in audiovisual commercials by companies that supported the Olympic or Paralympic Games. We focused on the framing of (dis)ability in commercials available on YouTube (2008-2021). The evolution in Para athletes’ presentation can be tracked in identified frames. The traditional defensive and supercrip frames have persisted, though less noticeably than in the past. Defensive framing accentuates the hard work and tough training of Paralympians. Its subframe, supercrip or cyborg framing, challenges the notion of disability and highlights the courage of Paralympians. One newly identified frame was the equality frame, when advertisements present Paralympians as equals living ordinary lives as able-bodied people. The portrayal of Paralympians in advertisements has evolved and corresponds with the companies’ missions and campaigns’ claims.
4
Publication available in full text mode
Content available

Efekt trzeciej osoby jako jeden z przejawów wpływu mediów na odbiorcę. Geneza i perspektywy badawcze

63%
Waśko R.
Przestrzeń Społeczna
|
2021
|
vol. 1
|
issue 1/2021 (21)
EN
The subject of media and mass communication has been analysed extensively. In the literature, cases were analysed of the functioning of the mass media, the role of the media as an instrument of marketing activities (including political) and the impact of media messages on recipients. Publications on the third person effect – which is an effect of media impact on recipients – are, however, rare in Poland. The hypothesis of the third person effect was proposed by W. Phillips Davison. The effect can be defined as the phenomenon in which social unit does not perceive or underestimate impact of a media message (e.g. TV political advertising) on itself but does see the influence of this message on others. Initial studies were concentrated at verifying of which variables induce the third person effect. The focus was put on socio-demographic characteristics, media-related variables, and persons with whom the respondent compares. Another group of studies focused on social theories, trying to identify which theories better explain the third person effect. The direction and strength of the third person effect depends on situational variables, which includes socio-demographic variables, those related to media message and how the respondent perceived the ‘others’. The third person effect also depends on the recipient’s exposure to media messages. One factor of the third person effect is the assessment of the harmfulness of the content conveyed, i.e. the more negative a message is, the greater the asymmetry of the third person effect. The article introduces the concept of the third person effect, the variables influencing the creation of the effect and selected theoretical issues that explain this phenomenon.
5
Publication available in full text mode
Content available

All Ads Are Narratives

63%
Berger A. A.
Media Biznes Kultura
|
2022
|
issue 2(13)
43-54
PL
Przedstawione tu podejście badawcze wychodzi od cytatu z Michela de Certeau na temat czasu, który ludzie spędzają na odbiorze narracji. Artykuł opiera się na założeniu, że narracje, również narracje reklamowe, mają strukturę syntagmatyczną (lub sekwencyjną) i przechodzą od jednego wydarzenia do następnego w ciągu czasu. Dodatkowo, podczas wizualnego odbioru narracji ludzie podejmują paradygmatyczny proces interpretacji postaci i wydarzeń w tych opowieściach. Demonstrując rolę narracji w ludzkim życiu, autor artykułu sugeruje również, że niektóre drukowane reklamy bazują na wyraźnym elemencie narracyjnym. Dyskusja zmierza do zaproponowania możliwych metodologicznych perspektyw w ramach tego podejścia i omówienia tego na przykładach. Między innymi analizie została poddana reklama telewizyjna Macintosha 1984 (1983/1984), ukazując, jak działa w niej zabieg intertekstualności. Innym ważnym aspektem dyskusji jest przegląd różnych możliwych podejść interpretacyjnych do wydarzeń w ramach danej ramy narracyjnej w reklamach drukowanych i telewizyjnych.
EN
This inquiry starts with a quotation from Michel de Certeau about the amount of time people spend with narratives. We proceed to demonstrate that narratives in advertisements have a syntagmatic or sequential structure and move from one event to another over time. In addition, people watching these narratives perform paradigmatic interpretations of the characters and events in these narratives. Demonstrating the importance of narratives in people’s lives, the article suggests that some print advertisements can have a narrative element to them. The discussion engages in demonstrating possible methodological approaches derived from this assumption and it offers, among others, an analysis of a classic television commercial, the Macintosh 1984 commercial (1983/1984), which is an example of intertextuality. Another important focus of discussion is overview of the different levels of interpretation one can make of events within a narrative framework of advertisements and commercials.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.