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Typology of opening scenes in the new generation of TV series

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Borowiecki A.
Kultura-Społeczeństwo-Edukacja
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2021
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vol. 19
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issue 1
119-132
EN
The product of quality TV, modern TV series have undergone significant changes compared to traditional productions. TV series used to have a closed episodic structure, contained within a single episode. These days, the format marked by a narrative continuity prevails. The types of sequences that open TV series have changed, too. Filmmakers employ various ‘opening strategies’ to make their productions stand out and attract audiences’ attention. The initial scenes highlight dynamic action, set the tone and express the central conflict. Other types of opening aim to explicate the main protagonist to make them intriguing. This article will provide the definition of ‘opening scenes’, and their typology will be discussed based on selected examples.
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Narracyjna złożoność współczesnego serialu telewizyjnego na przykładzie Breaking Bad Vince’a Gilligana

72%
Lewandowska Z.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
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2015
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vol. 16
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issue 25
43-52
EN
The Narrative Complexity of Contemporary TV Series Based on Vince Gilligan’s Breaking Bad   The formula of the contemporary TV series, as a product of quality television, diff ers signifi cantly from the traditional series in terms of its narrative structure and ways of building a plotline. Th is article presents an analysis of  the Breaking Bad series’ “narrative complexity”, which is the most distinguishing feature of the modern TV series. “Narrative complexity” can be understood not only as a series of innovative narrative devices, such as cold opens, fl ashbacks and fl ashforwards, but is also based on the multiplicity of plotlines present in each episode, constituting a whole story over the course of the seasons. Looking at the ways used to construct a plot and the narrative techniques adopted in Vince Gilligan’s Breaking Bad, that is, his use of parallels and symmetries, and the plot’s focus on the development of the series’ (anti)hero, the show can be interpreted as a “result drama"and “mirroring drama”. Th rough its use of the above-listed features of “narrative complexity”, the show meets the standards for a contemporary, quality television series.
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