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EN
Bergman’s cinema does more than just focus on a personal reflection of the body as an emotive and emotional vector; his cinema, through the transitory fragility of the human body as represented by his actors, defines the possibilities of a perceptive horizon in which the experience of passing time becomes tangible. Even though the Swedish director’s entire opus is traversed by this reflection, it is particularly evident in the films he made during the 1960s, in which the “room-sized” dimension of the sets permits a higher concentration of space and time. In this “concentration,” in this claustrophobic dimension in which Bergman forces his characters to exist, there is an often inflammable accumulation of affections and emotions searching for release through human contact which is often frustrated, denied, and/or impossible. This situation creates characters who act according to solipsistic directives, in whom physiological and mental traits are fused together, and the notion of phenomenological reality is cancelled out and supplanted by aspects of dreamlike hallucinations, phantasmagorical creations, and psychic drifting. Starting from Hour of the Wolf, this essay highlights the process through which, by fixing in images the physicality of his characters’ sensations, Bergman defines a complex temporal horizon, in which the phenomenological dimension of the linear passage of time merges with, and often turns into, a subjective perception of passing time, creating a synchretic relationship between the quantitative time of the action and the qualitative time of the sensation.
EN
The EC1 complex in Lodz (former power plant) is a new, rapidly changing urban space, which is strongly affected by its postindustrial heritage. This modern space is beginning to serve important cultural and educational functions, for inhabitants and tourists alike. It is gradually becoming an attractive recreational space and a tourist destination. The article describes issues connected with the process of creating new urban recreational spaces in redeveloped postindustrial areas. Moreover, it presents results of a diagnostic opinion poll designed to examine how the EC1 postindustrial complex in Łódź is perceived by visitors, taking into account their sensory perceptions, emotions and values. The study has shown that despite the dominant role of visual information, visitors are also affected by auditory, olfactory and tactile cues and appreciate attempts to retain the cultural heritage of new urban recreational spaces.
PL
Celem artykułu jest przybliżenie mało znanego nurtu ekonomii doświadczeń, jak również zaprezentowanie motywów, preferencji, zachowań, a także okoliczności oraz działań inicjujących powstawanie doznań i doświadczeń turystycznych towarzyszących osobom wypoczywającym w gospodarstwach agroturystycznych. W opracowaniu szczególną wagę przywiązano do dziedzictwa kulturowego obszarów wiejskich. Badania sondażowe z wykorzystaniem techniki ankiety przeprowadzone zostały w 2018 r. wśród 116 osób. Dobór próby miał charakter nielosowy – przypadkowy. Kwestionariusz ankiety rozpowszechniony został na grupach tematycznych na Facebooku i Instagramie, a także blogach i forach podróżniczych. Na podstawie przeprowadzonych badań stwierdzić można, że dziedzictwo kulturowe obszarów wiejskich, zarówno to materialne, jak i niematerialne, jest dla turystów istotnym motywem do wyboru wsi na miejsce wypoczynku, jak również stanowi ono bardzo atrakcyjny motyw przewodni oferty agroturystycznej, będąc kwintesencją m.in. interesujących warsztatów rękodzielniczych, edukacyjnych czy wieczorków tematycznych.
EN
The purpose of the article is to present the little-known current of experience economics, as well as to present motives, preferences, behaviors as well as circumstances and actions initiating the creation of tourist impressions and experiences accompanying persons on agritourism farms. Particular attention was paid to the cultural heritage of rural areas. Scientific research using the survey technique was conducted in 2018 among 116 people. The selection of the sample was intentional and non-random. The survey questionnaire was disseminated on thematic groups on Facebook and Instagram, as well as blogs and travel forums. Based on the research, it can be concluded that the cultural heritage of rural areas, both tangible and intangible, is for tourists an important motive for choosing a village as a place of rest, as well as it is a very attractive leitmotif of the agritourism offer being the quintessence of interesting handicrafts or educational workshops or themed evenings.
EN
Traditionally mental life of the person goes into "seclusion" called his/her interior. It is believed that because of its secret nature of the it and because it is not immediately given to other subject who may – at best – guess of what "goes in". Free access one has got only to his/her own experiences (feelings, emotions, thoughts etc.). In the twentieth century (and a bit earlier) this traditional view is criticizedand changed. As a fruit of this criticism emerged the opposite trend: the knowledge of both my and his/her inner experience is explain by introducing an element that allows this knowledge and is placed outside any of them. I call it the impersonal sphere of nobody – supra-individual matrix of the knowledge of my and his/her mental life. In this article I try to indicate the origin of the idea of this sphere giving its main characteristics. A description is based on the views of known philosophers: Nietzsche, Scheler and Wittgenstein and one sociologist – Goffman.
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