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Słowacki realizm magiczny w polskim przekładzie

100%
Buczek M.
Przekłady Literatur Słowiańskich
|
2009
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vol. 1
|
issue 1
196-208
SK
V svojom članku autorka uvažuje na tému prekladových výborov Jacka Bukowského, poľského prekladateľa prózy Václava Pankovčína, predstaviteľa mládej generácie slovenských spisovateľov, debutujúcich na začiatku 90 tých rokov. Zbierka krátkych poviedok Marakéš (1994) a novela Tri ženy pod orechom (1996), ktoré boli publikované v Poľsku pod názvom Marakesz (2006) sú ojedinelé preklady slovenskej prózy vychádzajúce v tomto roku. Autorka članku rozvažuje výbor prekladovej stratégie a jeho konzekvencie.
EN
The author presents in this paper her consideration of the strategy of translation taken by Jacek Bukowski, polish translator of Václav Pankovčín prose. Short stories Marakéš (1994) and the novel Tri ženy pod orechom (1996) by Václav Pankovčín were publicated in Poland under the title Marakesz (2006) and are the only one example of slovak prose transalted into polish this year. The author of the paper discusses transtlatological problems of the prose wchich strongly corespondents with magical realism, she concentrates on the semantic signals of the text, significant elements of the structure which define the boundary‑line of the meaning space of Václav Pankovčín works. Finaly she reflects on the transfer of implicated senses and meanings from original into translation. She reflects how in proces of translation the translator transfered hormony of fundamental codes of the original (lexical, semantics, cultural and estetic).
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Rendering stylistically marked units in the novel Depeche Mode by Serhiy Zhadan: a comparative study

80%
ONYSHCHUK M.
Forum Filologiczne Ateneum
|
2019
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vol. 7
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issue 1
183-202
PL
Badanie analizuje leksemy i kombinacje słów w stylu potocznym, slangu i języku potocznym, przeprowadza ich analizę porównawczą na poziomie słów, analizuje wzorce transformacyjne, które ulegają zmianom podczas tłumaczenia literackiego na język angielski i rosyjski oraz omawia zalety i wady stosowanych strategii tłumaczeniowych, sugerując odpowiednie rozwiązania tłumaczeniowe. W artykule argumentuje się, iż strategie tłumaczenia leksykonu poniżej normy odzwierciedlają interdyscyplinarny charakter ekspresyjnego znaczenia i konotacji, które mogą być przekazywane w różny sposób na różnych poziomach językowych podczas tłumaczenia literackiego.
EN
The study analyzes lexemes and word combinations of colloquial style, slang and low colloquial language, performs their comparative analysis at word level, looks into the transformational patterns that the structures undergo during literary translation into English and Russian, and discusses the advantages and flaws of the applied translation strategies through suggesting adequate translation solutions. In the article, the argument is made that the translation strategies of substandard lexis reflect the interdisciplinary nature of expressive meaning and connotation which can be conveyed differently through various language levels during literary translation.
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Tłumacz zdemaskowany. Wybrane teksty Dubravki Ugrešić w przekładzie Doroty Jovanki Ćirlić — spojrzenie krytyczne

61%
Jawoszek A.
Przekłady Literatur Słowiańskich
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2015
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vol. 6
|
issue 1
158-171
HR
Na primjeru izabranih tekstova Dubravke Ugrešić prevedenih na poljski od strane Dorote Jovanke Ćirlić, najpopularnije ali i najčešće kritizirane od strane domaćih slavista, suvremene poljske prevoditeljice balkanske književnosti, razmotriti ćemo pitanje prisutnosti (ili odsutnosti) prevoditelja u tekstu. Na temelju prijevoda romana Štefica Cvek u raljama života i zbirke eseja Nikog nema doma analizirat ćemo prevodilačke strategije i pojedinačna translatorska rješenja kao i njihovo značenje u kontekstu prevodilačke slobode i njezinog utjecaja na postupak izgradnje pozicije autorice i recepcije njezinih tekstova u drugom kulturnom i jezičnom kontekstu.
EN
On the selected Dubravka Ugrešić’s texts translated into polish by Dorota Jovanka Ćirlić, on the one hand the most popular on the second hand the most criticized by the local Slavists, contemporary Polish translator of Balkan literature, we can analyze the question of a presence (or absence) of translators in the text. On the example of translation of the novel Stefica Cvek in the Jaws of Life and book of essay There is no one at home, we analyze the strategies of translation and individual translator’s solutions as well as their importance in the context of “freedom of translator” and its impact on the process of building author’s position and reception of texts in different cultural and linguistic context.
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