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The Color Red and its Pathetic Value in Abstract Expressionism and Late Surrealism

100%
Ippolito C.
Lublin Studies in Modern Languages and Literature
|
2020
|
vol. 44
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issue 2
DE
Der Artikel enthält das Abstract ausschließlich in französischer und englischer Sprache.
EN
This essay analyses the dialogue between automatism and late surrealism on the color red, with a focus on the intensity shared by painting and literature. The starting point is a collective prose poem by André Breton, Élisa Breton, and Benjamin Péret. This poem, « Riopelle », written for an exhibition of Jean-Paul Riopelle’s automatist paintings in 1949, is included in Breton’s Le Surréalisme et la peinture.
FR
On analyse dans cet essai le dialogue entre art visuel (l’automatisme de Jean-Paul Riopelle) et surréalisme tardif sur la couleur rouge, notamment en termes d’intensité. Le point de départ est un poème en prose d’André Breton, Élisa Breton, et Benjamin Péret, écrit pour une exposition de 1949 et intitulé « Riopelle ». Ce texte a été repris dans Le Surréalisme et la peinture.  
2
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Le jazz fut-il la première forme du surréalisme ? – la poésie du jazz selon Robert Goffin

80%
Kukuryk A.
Academic Journal of Modern Philology
|
2023
|
issue 20
261-272
EN
This article is an attempt to parallel literature and jazz music, which, according to the Belgian poet Robert Goffi created new trends at the beginning of the 20th century. Touched by the cosmopolitanism of Blaise Cendrars, the simultaneous poetry of Guillaume Apollinaire, the author tries to synthesize a new spirit in a new poetry in syncopated rhythm. He sees musical improvisation as an element that can shape creative writing in various aspects, from narrative to structure, reflecting the surrealist-inspired need to create outside the traditional ontological framework. According to him, jazz not only illustrates the quest for independence in the artistic and social spheres, but is also a means to reach the unconscious.
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