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EN
The article presents the results of the research carried out in the school year 2018/2019 in selected primary schools. The research was compliant with the assumptions of constructivism. The aim of the study was to diagnose the ways of understanding the abstract concept of a family in a group of younger schoolchildren from a large city (Lodz). It was assumed that an effective way of extracting meanings given by children is to trigger their creative activity. Typical psychodidactic techniques were used: asking questions, drafting cognitive maps and creating analogies. The material obtained in the course of observation and analysis of children’s creations has been studied. The strategy used made it possible to reconstruct the children’s process of understanding the concept of a family, and to show the possibilities inherent in the psychodidactics of creativity. Such possibilities enable teachers to activate children’s way of interpreting the world and eliciting its personal and original representations. 
PL
W artykule przedstawiono wyniki badań zrealizowanych zgodnie z założeniami konstruktywizmu i przeprowadzonych w roku szkolnym 2018/2019 w wybranych szkołach podstawowych. Celem badań było zdiagnozowanie sposobów rozumienia abstrakcyjnego pojęcia rodzina w grupie dzieci w młodszym wieku szkolnym, w środowisku wielkomiejskim (Łódź). Przyjęto tezę, iż skutecznym sposobem wydobywania znaczeń nadawanych przez dzieci jest wyzwalanie ich aktywności twórczej. Wykorzystano typowe dla psychodydaktyki twórczości techniki: asocjogramy, pytania i tworzenie analogii. Opracowaniu poddano materiał badawczy uzyskany w toku obserwacji oraz analizy wytworów twórczych dzieci. Wykorzystana strategia pozwoliła na zrekonstruowanie dziecięcego procesu rozumienia pojęcia rodzina oraz na ukazanie możliwości tkwiących w psychodydaktyce twórczości, pozwalających na uruchomienie dziecięcego interpretowania świata, wydobywanie osobistych, oryginalnych jego reprezentacji.
PL
Celem artykułu jest rekonstrukcja codzienności edukacyjnej w dobie pandemii koronawirusa SARS-CoV-2 doświadczanej i wyrażanej subiektywnie przez uczniów edukacji wczesnoszkolnej. Pokazanie optyki dziecka jest zgodne z nowoczesnymi badaniami dzieciństwa, w których preferuje się poznawanie i rozumienie sytuacji dzieci przy ich aktywnym współudziale oraz w oparciu o ich narrację (Jarosz 2018). Materiał badawczy zebrano w toku badań lokowanych w paradygmacie konstruktywistycznym, przyjmującym, że rzeczywistości społeczne są wciąż na nowo (re)konstruowane, a jedyną drogą ich rozpoznania jest odwołanie się do subiektywnych opinii, doświadczeń, przekonań. Wykorzystano wywiad fokusowy, prowadzony w klasach trzecich wybranych szkół w Polsce, pozwalający na artykulację własnych opinii oraz dotarcie do różnorodnych stanów emocjonalnych kryjących się za werbalizowanymi przekonaniami.
EN
The aim of the article is to reconstruct everyday educational life during the Covid-19 pandemic experienced and subjectively expressed by early childhood education students. Focusing on the child’s perspective is in line with modern studies of childhood, in which it is preferred to know and understand the situation of children with their active participation and based on their narratives (Jarosz 2018). The research material was collected in the course of studies located in the constructivist paradigm assuming that social realities are constantly reconstructed, and the only way to recognize them is to appeal to subjective opinions, experiences and beliefs. Focus group interviews conducted in the third grades of selected schools in Poland were used to articulate students’ own opinions and to reach various emotional states behind verbalized beliefs.
EN
The article presents the results of research carried out in the 2016/2017 school year in selected primary schools in an urban environment (Łódź). The aim of the study was to diagnose the ways of understanding the abstract concept of the horizon, in groups of 8- to 9-year-olds and 9- to 10-year-old children. The research was carried out in a venue that provided a natural learning environment (in two second grade classes and two third grade classes). The research adopted the strategy of didactic intervention. The researcher acted as an observer and a participant, and the research material came from participatory observation. The observation covered both the activities of pupils as well as the effects of these activities. The research material obtained in the course of conversations with children and their artistic activity was analyzed. The research results reconstructed the children’s process of understanding the concept of the horizon and revealed possibilities of enriching educational discourse.
EN
Cognition of the world, construction of knowledge related to our surroundings, and expressing meanings that stem from our life experiences are by no means easy processes. A substantial part of our knowledge remains dormant, but its extraction makes it possible to grasp children’s visions of the world. Even if rarely applied in educational practice, creative activities remain a very effective approach to release children’s conceptualisation of the world. This paper presents research results that demonstrate the efficiency of creative-thinking techniques in extracting children’s visions of the world, as illustrated by the concept of the family. The study, which was conducted as a didactic intervention, was performed in the 2018-2019 school year on a group of younger pupils from a large city. The results reconstructed children’s process of understanding the above-mentioned concept and revealed the possibilities behind creative psychodidactics.
EN
The purpose of this paper is to draw attention to the rarely undertaken topic of humour in the work of early childhood education pupils. In the first part of the article the author defines the categories of children’s creativity and humour and points out the similarities and connections between them. The author considers the cognitive theory of inconsistency resolution to be the most useful for the undertaken considerations. In the second part, the researcher presents the place of humour in children’s creativity analysed from four perspectives: personological (taking into account the characteristics of the creators), processual (analysing the course of the creative process), attributive (concerning the product) and ecological (analysing the social conditions of creativity). It was showed that although humour is perceived as both a form of creativity and an important generator of creative ideas, it is not appreciated by early childhood education teachers and rarely appears in the creativity of children at a younger school age.
PL
Celem artykułu jest zwrócenie uwagi na rzadko podejmowany wątek humoru w twórczości uczniów wczesnej edukacji. W pierwszej części tekstu zdefiniowano kategorie twórczości dziecięcej i humoru oraz wskazano na podobieństwa i związki między nimi. Za najbardziej przydatną dla podjętych rozważań uznano kognitywną teorię rozwiązywania niespójności. W drugiej części tekstu pokazano miejsce humoru w twórczości dziecięcej analizowanej z czterech perspektyw: personologicznej (uwzględniającej cechy twórców), procesualnej (analizującej przebieg procesu twórczego), atrybutywnej (dotyczącej produktu) oraz ekologicznej (analizującej społeczne uwarunkowania twórczości). Wskazano, że choć humor postrzegany jest zarówno jako forma twórczości jak i ważny generator twórczych idei, nie jest ceniony przez nauczycieli wczesnej edukacji i rzadko pojawia się w twórczości dzieci w młodszym wieku szkolnym.
PL
W artykule przedstawione zostaną wyniki badań, przeprowadzonych w roku szkolnym 2016/2017 w wybranych szkołach podstawowych, w środowisku wielkomiejskim (Łódź). Celem badania było zdiagnozowanie sposobów rozumienia abstrakcyjnego pojęcia horyzont, w grupie dzieci 8 – 9 – letnich i 9 – 10 – letnich. Badania prowadzone były w miejscu, które zapewnia dzieciom naturalne warunki uczenia się (w dwóch klasach drugich i dwóch klasach trzecich). W badaniach przyjęto strategię dydaktycznego działania interwencyjnego. Badacz występował w roli obserwatora jako uczestnika, zaś materiał pochodził z obserwacji uczestniczącej. Obserwację skoncentrowano wokół zainicjowanych według własnego projektu działań interwencyjnych. Obserwacją objęto czynności uczniów, a także skutki tych czynności. Wyniki badań zrekonstruowały dziecięcy proces rozumienia pojęcia oraz ukazały możliwości wzbogacania dyskursu edukacyjnego.
EN
The purpose of this paper is to present the everyday school life of younger pupils in pandemic times. The rationale behind the study (conducted from the child’s perspective) lies in the conviction that minors are active actors who understand and interpret the social reality around them and, therefore, are the most reliable source of information (for adults) on the meaning of everyday situations for them (Corsaro, 2005). The research material was collected through a focus group interview with first grade pupils from selected primary schools in Poland. This helped the authors understand children’s experience of distance learning. Analysis of the collected material reveals the many and diverse experiences children have regarding e-learning. The study makes it possible to identify the main categories impacting their daily school-related activities, the tangible environment that constitutes the physical space behind these activities, and the accompanying emotions.
EN
This paper describes the Phase II results of qualitative research involving design teams of primary school second-graders divided as follows: designers (D) – the creators of a solution; clients (C) and executors (E) – helping to improve the project. The study aimed to observe and describe what questions and feedback stimulated new idea generation to improve the initial solution, addressing the following research question: What does a constructive dialogue between peers look like when developing a group project? The adopted research approach was based on educational team design (the case study method). Based on observations and peer conversations, the authors determined the conditions that facilitated constructive dialogue, and those that hindered the accomplishment of the group work in question.
EN
The article presents one of the most avant-garde educational experiences for young children in the world. The first preschools in Reggio Emilia (Italy) were established after the Second World War and they have been under the supervision of the municipality for over 45 years. The main initiator and educator of this early childhood practice was Loris Malaguzzi (1920–1994). One of the reasons for this long-lasting project is the readiness of Reggio Emilia educators to cross boundaries, and another is their openness to new ideas and perspectives. They take their inspiration not only from pedagogy, but from philosophy, the exact sciences, architecture, literature, and visual communication as well. Inspired by different ideas and theories, being reflective and inquiring, they interpret and construct their own concepts and theories instead of reproducing them.
EN
This study has been devoted to creative attitudes represented by 6-7-year old children, evaluated by the creative and re-constructive attitudes rating scale (SPTO)1. The central focus was to relate differences in attitudes among children commencing their education at the age of 6 to those who had started their school attendance before the reform (at the age of 7). An attempt was made to answer the question whether pupils differing in the year of birth, joined within one school form, would generate any disruption of their potential creativity. A complementary issue was to evaluate the level of creative attitudes along the dimorphic pattern.
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