Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 3

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

La redéfinition des rôles du traducteur de théâtre face à l’essor du surtitrage

100%
Czubińska M.
Studia Romanica Posnaniensia
|
2018
|
vol. 45
|
issue 4
47-60
EN
During the first two decades of the twenty-first century, we can observe an unprecedented shift in the practice of theatrical translation and a revision of the role of the theater translator. Nowadays, scenic translation methods, including surtitling, put in question the traditional perception of the key concepts of translatology such as translator, equivalence, translation process and methods or even the text. In this paper, based on the theoretical works, the voices of the researchers and theater professionals, the author discusses the status and roles of the theatrical translator as well as the challenges of his activity in the context of the modern theories of theater translation.
2
Publication available in full text mode
Content available

Sposoby wykorzystania napisów scenicznych jako metody przekładu spektakli teatralnych w trakcie Malta Festival Poznań 2017

100%
Czubińska M.
Investigationes Linguisticae
|
2018
|
vol. 39
31-45
EN
As a result of the internationalization of theatrical art and the development of modern technologies, surtitles are currently one of the most frequently used methods of theater translation. The diversity of solutions currently proposed by theaters around the world entails the necessity of development of the common rules of the creation of surtitles. This role is to be fulfilled by the French rulebook prepared by the by the drama institute Maison Antoine Vitez, entitled "Guide du sur-titrage au théâtre" (Bataillon, Muhleisen, Diez, 2016). The following analysis is based on examples of the use of surtitles from four performances presented during the Malta Festival 2017 in Poznań. Its purpose will be to answer the question: to what extent the surtitles used during the Polish festival of theater are in compliance with the norms suggested by authors of“Guide du sur-titrage au théâtre” (2016)?
3
Publication available in full text mode
Content available

Le texte théâtral et l’autotraduction dans le contexte minoritaire de l’Ouest du Canada

100%
Czubińska M.
Academic Journal of Modern Philology
|
2023
|
issue 20
27-36
EN
In the last 30 years there has been an increased interest among researchers in the problem of self-translation, particularly in the context of novel translation. The aim of the following paper is to present the challenges of self-translation in a context of dramatic texts. The corpus of analysis for this article will be three plays written by bilingual artists who are rooted in Western Canadian provinces – Saskatchewan and Manitoba. The analysis of the fragments of the originals compared with the self-translated versions of the plays: “La Trahison/The Betrayal” by Laurier Gareau (2004) “La Maculée/sTain” by Madeleine Blais-Dahlem (2012) and Marc Prescott’s “Fort Mac” (2009) will allow us to determine the characteristics of self-translation of each of these “privileged translators”.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.