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Motywy wędrówki dusz i dybuka w kulturze żydowskiej i ich współczesna realizacja w twórczości Jony Wolach

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Piątek A.

Adeptus

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2016

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issue 7

EN

Motifs of transmigration of souls and dybbuk in Jewish culture and their contemporary implementation in the works by Yona WollachThis article describes two concepts important for Jewish mysticism – dybbuk and the transmigration of soul, and goes on to present their contemporary usage in the works by Yona Wollach. The concept of the transmigration of souls (in Hebrew: gilgul neshamot) describes a situation whereby the soul of a dead person returns to the this world and occupies a new body. In the case of the dybbuk (in Hebrew: dibuk), on the other hand, the body of a living person, who has his or her own soul, is possessed by the spirit of a dead person. The concepts of reincarnation and dybbuk played an important role not only in religious tradition but also in folklore and popular and high culture. Both became the focus of a number of artworks. The article presents fragments of the poems of the Israeli poet Yona Wollach (1944–1985), in which she describes psychological states similar to transmigration of souls and being captured by a dybbuk. The article aims to show that these poetic images are in close connection with Wollach`s concept of the human psyche. Motywy wędrówki dusz i dybuka w kulturze żydowskiej i ich współczesna realizacja w twórczości Jony WolachArtykuł przybliża dwa ważne pojęcia mistyki żydowskiej – dybuka i wędrówki dusz, a następnie ukazuje współczesne nawiązanie do nich w twórczości Jony Wolach. Pod pojęciem wędrówki dusz (hebr. gilgul neszamot) rozumie się sytuację, w której dusza zmarłego wraca do świata doczesnego i zamieszkuje w nowym ciele. Natomiast w przypadku dybuka (hebr. dibuk) dochodzi do zawładnięcia ciałem żywego człowieka, posiadającego już jedną duszę, przez ducha zmarłej wcześniej osoby. Pojęcia wędrówki dusz i dybuka odgrywały istotną rolę nie tylko w tradycji religijnej, ale i w folklorze oraz kulturze popularnej i wysokiej, stając się tematem wielu dzieł artystycznych. W tekście prezentowane są fragmenty wierszy izraelskiej poetki Jony Wolach (1944–1985), w których opisuje ona stany psychiczne zbliżone do wędrówki dusz i zawładnięcia przez dybuka. Artykuł ma na celu ukazanie, że te poetyckie obrazy pozostają w głębokim związku z podzielaną przez Wolach koncepcją ludzkiej psychiki.

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Miasto podzielone, miasto uwikłane. Literackie portrety Jerozolimy w twórczości izraelskiego poety Jehudy Amichaja

100%

Piątek A.

Studia Azjatystyczne

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2016

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issue 2

105-118

EN

Yehuda Amichai (1924-2000), one of the greatest contemporary Israeli poets, lived and worked in Jerusalem for decades. In his works, he presents the image of Jerusalem as a city with a long and complicated history, a matter of dispute and a unique place on the map of the world. With remarkable skill he paints portraits of the holy city of three religions, an important center for many cultures, and a place of residence of several communities. From each of these perspectives (religious, political and social), Jerusalem in Amichai’s texts appears as a diversified city entangled in antagonisms.This article is intended to present selected fragments of the poet’s texts describing these urban confrontations from the perspective of an individual – a sensitive and a concerned resident of Jerusalem. Then texts quoted show that Amichai sees his city as a microcosm in which mutual relations and tensions lose their merely local significance and gain a universal human meaning. Scenes from everyday life become symbolic and acquire universal sense. History, an integral part of the Jerusalem landscape, involves the residents and affects their perception of the world.

PL

Yehuda Amichai (1924-2000), one of the greatest contemporary Israeli poets, lived and worked in Jerusalem for decades. In his works, he presents the image of Jerusalem as a city with a long and complicated history, a matter of dispute and a unique place on the map of the world. With remarkable skill he paints portraits of the holy city of three religions, an important center for many cultures, and a place of residence of several communities. From each of these perspectives (religious, political and social), Jerusalem in Amichai’s texts appears as a diversified city entangled in antagonisms. This article is intended to present selected fragments of the poet’s texts describing these urban confrontations from the perspective of an individual – a sensitive and a concerned resident of Jerusalem. Then texts quoted show that Amichai sees his city as a microcosm in which mutual relations and tensions lose their merely local significance and gain a universal human meaning. Scenes from everyday life become symbolic and acquire universal sense. History, an integral part of the Jerusalem landscape, involves the residents and affects their perception of the world.

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Wzgórze w świetle afazji podkorowych

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Rutkiewicz-Hanczewska M., Piątek A.

Poznańskie Studia Polonistyczne. Seria Językoznawcza

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2019

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vol. 26

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issue 2

215-230

EN

The article is devoted to the specific nature of subcortical aphasia, with particular emphasis on thalamic aphasia. It describes the features of subcortical aphasias which make it possible to differentiate them from cortical aphasias and defines the characteristics of thalamic aphasia which are indicated by researchers seeking its constitutive features. The article also discusses the anatomic aspects of the thalamus and the latest reports on the functions it performs in the language processing process through thalamocortical networks.

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1 Adeptus

1 Poznańskie Studia Polonistyczne. Seria Językoznawcza

1 Studia Azjatystyczne

3 Piątek A.

1 Rutkiewicz-Hanczewska M.

1 2019

2 2016

Motywy wędrówki dusz i dybuka w kulturze żydowskiej i ich współczesna realizacja w twórczości Jony Wolach

Miasto podzielone, miasto uwikłane. Literackie portrety Jerozolimy w twórczości izraelskiego poety Jehudy Amichaja

Wzgórze w świetle afazji podkorowych