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Festiwale sztuki ulicznej. Przedmiot instytucjonalizacji i forma uspołeczniania miasta

100%
Połeć M.
Zarządzanie Mediami
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2016
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vol. 4
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issue 1
23-38
EN
The article presents the most important festivals of street art in Poland in 2014: the reasons of uprising, distinctive features, the ways of organizing and being held. Festival is shown as typical urban phenomenon, with the character referring to carnival’s parade and with the roots reaching the ancient times. These days, the performances in urban space are becoming a common way of getting to the new viewers, showing heretofore existing kinds of performance in another context – full of immediacy and unpredictability. The materials were collected with usage of the Internet sources and also by ethnographical methods – directly from the participants.
2
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Badanie przedsiębiorczości artystów ulicznych. Metodologia etnograficznych badań terenowych na rynku doznań

100%
Połeć M.
Problemy Zarządzania
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2014
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issue 3/2014 (47)
EN
The article presents the methodology of ethnographic field research which the author used to study entrepreneurial aspects of Polish street artists’ activities. The presented ethnographic, started in 2012, was based mainly on interviews and participant observation. The activity of performers, mimes and musicians working in the street is regarded as an instance of experience economy. Artists earn money thanks to their handmade costumes and their invented creations, providing people with memories and experiences. This essay also presents some of the ethical dilemmas and methodological problems experienced by a novice ethnographer. The author describes her qualitative research in detail: preparations, enactment, ways of obtaining and interpreting material . She presents her field , relations with her interlocutors and her work with the empirical material. Entrepreneurship is framed within its original context, as entrepreneurial activities of non-formal art organizations.
PL
Artykuł przedstawia metodologię badań terenowych, której autorka użyła w badaniu przedsiębiorczości artystów ulicznych w Polsce. Badania etnograficzne rozpoczęte w 2012 r. zostały przeprowadzone głównie za pomocą wywiadu i obserwacji uczestniczącej. Działalność performerów, mimów oraz muzyków pracujących na ulicy jest przykładem rynku doznań. Artyści zarabiają dzięki stworzonym przez siebie strojom oraz wymyślonym kreacjom, dostarczając ludziom wspomnień i przeżyć. Esej pokazuje dylematy etyczne i problemy metodologiczne początkującego etnografa. Autorka szczegółowo opisuje badania jakościowe: przygotowanie, ich przebieg, sposób pozyskiwania oraz porządkowania informacji. Przedstawia teren badawczy, relacje z badanymi, a także pracę nad zebranymi materiałami. Przedsiębiorczość jest ukazana w oryginalnym kontekście – na przykładzie nieformalnej organizacji zajmującej się sztuką.
3
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Wizerunek artystów ulicznych w mediach

100%
Połeć M.
Zarządzanie w Kulturze
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2019
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vol. 20
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issue 2
157-179
EN
The aim of the paper was to examine and analyze the context of activity of street performers, presented by the mass media in Poland. The research question was: How the image of street performer in media looks like? Who creates this image? The intention was to describe the way the street performers are being shown by: the media representatives, their own customers and also by themselves. Moreover, the paper highlights the aspect of social role of presenting this kind of human activity in media discourse. This text is a result of ethnography conducted among the street performers in the biggest Polish cities from 2012 to 2016. The ethnography was broadened with the analysis of various examples from media discourse: internet, television, radio, press, film and literature. The analysis includes three different meanings of media discourse: (1) as a communication occurrence, (2) as a compilation of values and (3) as an interaction. The results of the article show the media influence on contemporary meaning and shape of street performances. Moreover, the paper reveals a present social knowledge concerning the street shows.
4
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Mitologizacja występów ulicznych: dyskurs, autonarracja i autokreacja

63%
Połeć M., Grygier E.
Zarządzanie w Kulturze
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2022
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vol. 23
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issue 2
169-185
EN
The article deals with the phenomenon of mythologizing the activity of buskers. The purpose of the paper is to demonstrate that street performers, despite their rich and varied history, both diachronically and synchronically, continue to be represented in a simplistic, stereotypical way. The intention of the authors was to show the real, more complex image and identity of buskers. The research problem concerns the mythologization of street performances in terms of discourse, self-narration, and self-creation. The article relates to three research questions: (1) How are the activity of buskers and the performers themselves being described? (2) How do buskers create and explain their own stories in terms of performing in the street? (3) How do they create and interpret their image? The article is the result of a joint analysis of the outcomes of ethnographic fieldworks conducted independently by two researchers in 2011–2019 in various cities, mainly in Poland but also abroad. The results show that the activity of buskers is subject to mythologization, which impacts the discourse on their activity as well as the formation of their identity and image. 
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