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EN
The validity of educational measurement of characteristics modelled in the structure of oppositional pairs is determined, among other things, on matching the rating scale to the properties of the operationalised variables. 270 people participated in the study of this issue. The results revealed the significance of the type of rating scale and its length in determining the results of characteristics measurement.
EN
The article discusses three versions of the Snow White fairy tale by the Brothers Grimm (1810, 1812, and 1857), delving into the meanings of colours and colour names occurring in them as well as changes in the names and meanings. The analysis proceeds from the structural method of fairy tale study and explores the symbolic meaning oppositions of colours and their names, such as in/out, light/dark, life/death, logical/mythological. The analysis is also based on the differentiation drawing on the theory of primary colours, according to which black, white, and red are the most fundamental colour names. However, the use of colour names (semantics and symbolism) is complicated in the versions of the Snow White fairy tale, as a colour may have several oppositional meanings. It is not just simple binary oppositions. The Brothers Grimm regarded the colours black, white, and red as beautiful. Jacob Grimm depicted them as the three colours of poetry.
EN
The use of the word functional in the most diverse theories and approaches has contributed in no small measure to the confusion in linguistics today. This article does not claim to give an overview of the different directions of functionalism in linguistics. Rather, the aim is to present what Coseriu‘s view characterised as functional in his time and to what extent his theory outlined a path that still makes sense in functional-cognitive linguistics today. This will involve an examination of Coseriu‘s difficult-to-identify concept of function. Furthermore, the article will also show that functional thinking is relevant for current grammatography.
EN
The article is devoted to Polish adverbs introducing the quantitative characterization of the participants of an event, that is, on the one hand, lexical units such as: pojedynczo, ‘one by one’, jednoosobowo ‘singly’, indywidualnie ‘individually’, samotnie ‘solitarily, alone’, solo, solowo ‘solo’ and on the other – licznie ‘in large numbers’, tłumnie ‘in crowds’, masowo ‘on a large scale’, gromadnie ‘in droves’, stadnie ‘in herds’, grupowo ‘in a grup, as a grup’, gremialnie, kolektywnie, zbiorowo ‘collectively’, kolegialnie ‘collegially’, zespołowo ‘as a team’, chóralnie ‘chorally’. The author distinguishes and briefly discusses the main oppositions that constitute and organize this subsystem of meanings. These oppositions are as follows: a) one individual – more than one; b) person – another organism – something; c) multiplicity conceptualized as a whole – multiplicity not being a whole; d) characterization of all the indicated participants – no information on completeness; e) quantitative component as a gradable – not-gradable trait; f) doing something – lack of action.
PL
Artykuł poświęcony jest polskim przysłówkom wprowadzającym ilościową charakterystykę uczestników danego zdarzenia, to znaczy z jednej strony jednostkom takim jak: pojedynczo, jednoosobowo, indywidualnie, solo, solowo z drugiej zaś – licznie, tłumnie, masowo, gromadnie, stadnie, grupowo, gremialnie, kolektywnie, kolegialnie, zespołowo, zbiorowo, chóralnie. Autorka wyróżnia i krótko omawiapodstawowe opozycje, które organizują ten podsystem znaczeń. Opozycje te są następujące: a) jeden – więcej niż jeden; b) osoba – inny organizm – coś; c) wielość ujmowana jako całość – wielość niebędąca całością; d) objęcie charakterystyką wszystkich partycypantów – brak informacji o tego rodzaju kompletności; e) komponent ilościowy jako własność stopniowalna – jako własność niestopniowalna; f) działanie – brak działania.
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PL
W tekstach sennika ludowego zawarty jest świat wartości nosiciela kultury ludowej. Daje się on rekonstruować poprzez uchwycenie systemu opozycji. Ogólnie, to, co żywe, młode (nowe, świeże), jasne (białe), czyste, tłuste, dojrzałe, całe, zdrowe, ubrane, surowe i metalowe, objaśniane jest jako coś dobrego, z konkretyzacją jako życie, zdrowie, młodość, bogactwo, urodzaj, zgoda, miły gość, szczęście, radość. Z kolei to, co martwe, stare (czerstwe), ciemne (czarne), brudne, chude, niedojrzałe, niecałe, chore, nagie, gotowane, papierowe, na jawie wyjawiane jest jako coś niedobrego, a szczegółowiej jako śmierć, choroba, starość, nędza, nieurodzaj, kłótnia, zbędny gość, nieszczęście, smutek itd. Na szczycie otrzymywanej po stronie wykładni sennika „drabiny wartości” sytuują się wartości praktyczne, związane z zabezpieczeniem podstawowych potrzeb egzystencjalnych. Sennik zatem potwierdza tezę, że w centrum ludowego świata wartości jest życie i jego ochrona.
EN
In the folk genre of minimal texts which include dream images and their explanations one can find the world of values shared by members of the folk culture. It can be reconstructed by capturing a system of oppositions. In general, something which is alive, young (new, fresh), light (white), clean, fat, ripe, undivided, healthy, dressed, raw and made of metal is explained as something good, or in more concrete terms as life, health, young age, wealth, bumper harvest, mutual understanding, a welcome guest, happiness, joy. On the other hand, what is dead, old (stale), dark (black), dirty, thin, unripe, divided, ill, naked, cooked, or made of paper, is manifested in reality as something bad, more specifically as death, illness, old age, poverty, bad crops, quarrel, an unwelcome guest, unhappiness, sorrow etc. At the top of the “ladder of values” extracted from the genre of minimal texts which include dream images and their explanations one can find practical values, connected with securing the basic existential needs. The analysis of the explanations, then, corroborates the hypothesis that in the centre of the folk model of values there is life and its protection.
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